Foster, How to Read Literature... (Intro to Ch 3)
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Sarah Durham on Foster, How to Read Literature... (Intro to Ch 3): Every story has a quest, but I
Peaches Ostalaza on Foster, How to Read Literature... (Intro to Ch 3): "But you don't need fangs and
Jessica Pierce on Foster, How to Read Literature... (Intro to Ch 3): "The act of taking food into o
Jamie Grace on Foster, How to Read Literature... (Intro to Ch 3): So this might not be as insite
KatieLantz on Foster, How to Read Literature... (Intro to Ch 3): "Next to our morality which co
Kayla Lesko on Foster, How to Read Literature... (Intro to Ch 3): "That's what this figure reall
Dave on Foster, How to Read Literature... (Intro to Ch 3): http://blogs.setonhill.edu/Dav
Jennifer Prex on Foster, How to Read Literature... (Intro to Ch 3): "The real reason for a quest n
Jered Johnston on Foster, How to Read Literature... (Intro to Ch 3): "Memory. Symbol. Pattern. Thes
Peaches Ostalaza on Foster, How to Read Literature... (Intro to Ch 3): "But you don't need fangs and
Jessica Pierce on Foster, How to Read Literature... (Intro to Ch 3): "The act of taking food into o
Jamie Grace on Foster, How to Read Literature... (Intro to Ch 3): So this might not be as insite
KatieLantz on Foster, How to Read Literature... (Intro to Ch 3): "Next to our morality which co
Kayla Lesko on Foster, How to Read Literature... (Intro to Ch 3): "That's what this figure reall
Dave on Foster, How to Read Literature... (Intro to Ch 3): http://blogs.setonhill.edu/Dav
Jennifer Prex on Foster, How to Read Literature... (Intro to Ch 3): "The real reason for a quest n
Jered Johnston on Foster, How to Read Literature... (Intro to Ch 3): "Memory. Symbol. Pattern. Thes
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"Memory. Symbol. Pattern. These are the three items that,more than any other, seperate the professional reader from the rest of the crowd."
When most people(and I include myself in this category) read a story they tend to focus on the characters and story and what is only on the surface. But when we begin to "read like a professor" we can begin to dig a little deeper and begin to analyze the story and its characters. We can begin to seek out symbols and themes we may have otherwise overlooked.
"The real reason for a quest never involves the stated reason. In fact, more often than not, the quester fails at the stated task."
~page 3
http://blogs.setonhill.edu/JenniferPrex/2009/08/quest_for_reason.html
http://blogs.setonhill.edu/DavidWilbanks/2009/08/real_vampires_dont_sparkle.html
"That's what this figure really comes down to, whether in Elizabethan, Victorian, or more modern incarnations: exploitation in its many forms" (pg 21).
http://blogs.setonhill.edu/KaylaLesko/2009/09/a_vampire_that_doesnt_suck_blo.html
"Next to our morality which comes to great and small equally, all differences in our lives are mere surface details" (Foster 14).
http://blogs.setonhill.edu/KatieLantz/2009/09/life_and_death.html
So this might not be as insiteful as others but isn't communion just for in church?
http://blogs.setonhill.edu/JamieGrace/2009/09/is_communion_just_in_church.html
"The act of taking food into our bodies is so personal that we really only want to do it with people we're very comfortable with. As with any convention, this one can be violated." (8)
"But you don't need fangs and a cape to be a vampire." (pp.19)
Every story has a quest, but I never really noticed until someone brought it up.