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    <title>American Literature 1800-1915 (EL266)</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/" />
    <link rel="self" type="application/atom+xml" href="http://jerz.setonhill.edu/EL266/2010/atom.xml" />
    <id>tag:jerz.setonhill.edu,2007-08-07:/EL266/2010//36</id>
    <updated>2010-12-01T22:35:56Z</updated>
    <subtitle>Dennis G. Jerz, Fall 2010, Seton Hill University</subtitle>
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<entry>
    <title>Blog Portfolio 2</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/12/blog_portfolio_2/" />
    <id>tag:jerz.setonhill.edu,2010:/EL266/2010//36.13239</id>

    <published>2010-12-09T01:23:50Z</published>
    <updated>2010-12-01T22:35:56Z</updated>

    <summary>The details for Portfolio 2 are the same as Portfolio 1.As before, if you have kept up with your blogging, this assignment will be a relatively straightforward operation. If you have some catching up to do, here is your opportunity...</summary>
    <author>
        <name>Dennis G. Jerz</name>
        <uri>http://jerz.setonhill.edu</uri>
    </author>
    
        <category term="due_dates" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://jerz.setonhill.edu/EL266/2010/">
        <![CDATA[The details for Portfolio 2 are the same as Portfolio 1.<br /><br />As before, if you have kept up with your blogging, this assignment will be a relatively straightforward operation. If you have some catching up to do, here is your opportunity to do so. <br /><br />My intention is that preparing your blog portfolio, revisiting past entries, filling in the gaps in your own written responses, and participating in follow-up conversations with your peers will be a useful review for your final.<br />]]>
        <![CDATA[1) Create a new entry on your weblog, with a <b>title that emphasizes
what you feel you have accomplished</b> so far this term. Begin with a brief
statement for the benefit of a reader who doesn't know the purpose of the assignment or what the class is
supposed to cover. (I call this page the "cover page" or the "cover blog entry" for your portfolio.)<br /><br />

<p>2) Organize the material you have posted on your blog to <strong>support your statement about what you learned</strong>.&nbsp; <br /></p><p>When
including a blog entry, write some significant words, such as the title
of the entry or the reason you are including it in your blog, and
<b>turn those significant words into a link</b>. (Avoid using neutral words like "<u>click here</u>" or "<u>Chapter 2 homework</u>" for the links... make your words
communicate the insight contained in your blog entry: "<u>Emily Dickinson
is a sick cookie</u>" or maybe you could use a few words from the text you discuss as your link: "<u>Come, therefore, and let us fling mud at them!</u>")<br /></p><p><b>Sort and organize your entries</b> into the
following broad categories:<br /></p>

<ul><li><b>Coverage and Timeliness</b> <br /></li><ul><li>Did you blog something for each assigned text, with a link back to the course website? (Example: Maddie G.'s "<a href="http://blogs.setonhill.edu/MadelynGillespie/2008/02/bittersweet_victory_where_the.html">Bittersweet Victory</a>")</li><li>Did
 you write some of your entries early, or at least on time? (Pretty much
 every entry you wrote that doesn't belong in some other category could 
go here, if it was written on time.)</li></ul><li><b>Depth</b> (Did you occasionally blog at greater length?)</li><li><b>Discussion</b> (Did you spark and contribute to conversations that took place on your own blog?)</li><li><b>Interaction</b> (Here are some suggestions... if you don't have
 any entries that meet these categories, you could try to demonstrate 
interaction in some other way.)</li><ul><li>On your own blog, did you occasionally mention -- and link to -- valuable things that your peers wrote on their blogs? <br />
    </li><li>Do you include links from your blog entry to the course web page? <br />
    </li><li>Have you done outside research, and posted links to what you found elsewhere on the internet? <br />
    </li><li>Would your blog entries make sense to a stranger who happened 
across your blog? <br />Some ways you can help your blog make sense to an outside reader:<br /></li><ul><li>Do your entries say what book you are quoting from?</li><li>Would the reader know that your posting is part of a classroom 
discussion?</li><li>Would the reader be able to follow a link from your entry to
 a place where other bloggers are discussing the same text?</li></ul></ul><li><b>Xenoblogging</b>
 (Think of this as good cizenship. Xeno means 
"foreigner" or "visitor."&nbsp; So xenoblogging is the blogging that you do 
away from your own blog -- in the comments you post on a peer's weblogs,
 
or the course website.)<br />Note: what follows is a menu of helpful 
suggestions, not a to-do checklist.&nbsp; If you have some commenting to do, 
keep these possibilities in mind.<br />
  </li><ul><li>The <i>comment primo</i> (Be the first to post a comment 
on a peer's blog entry, and take credit for getting a conversation 
started and keeping it gong.)</li><li>The <i>comment grande</i> (Maybe your peer wrote, "I wonder what Hawthorne's family life was like," and maybe 
you looked it up and posted the answer in a long, informative comment on your 
peer's blog.)</li><li>The <i>riposte gracious</i> (Respectfully disagree with 
something a classmate has said, by providing and explaining a quotation 
that seems to support a different interpretation.)<br />
    </li><li>The <i>revision elegant</i> (Give credit to someone for raising a point that led you to rephrase your statement or rethink your position.)</li><li>The <i>reversal elegant</i> (A stronger version of the "revision
 elegant" -- give credit to someone for bringing up a point that led you
 to change your mind.)</li></ul></ul><ul><li><b>Wildcard</b> (Did you use your blog to publish anything 
important to you, something that is related to the course material, but 
not something that was specifically assigned by any professor?)<br /><ul><li>You could write an alternate ending to a story we read.</li><li>You could write 
your own parody or tribute; you could write about how the Griffin 
Technology Advantage program has affected your learning.</li><li>You could write
 about almost anything at all, so long as you can, in your portfolio, 
connect it to the material we are learning in class</li></ul></li></ul>








<p>3) <b>Submit your portfolio</b> by posting a link to it here, on this
 page. ("This is my portfolio" is far less engaging than "I learned 
about X and Y, but I'm still struggling with Z."&nbsp; The words you post 
along with your link are your first chance to get your reader thinking 
about your main point, even before he or she clicks your link.)<br /></p><p>4) <b>Blogging Portfolio Rubric<br /></b></p><ul><li>F: &nbsp; <b>No blog portfolio submitted</b> on this page; or portfolio is a list of unsorted links, without being organized to defend a claim about what you learned.</li><li>D:&nbsp; <b>Good-faith effort to identify and reflect </b>on your online contributions, 
though those contributions may have significant gaps, may show signs of 
being rushed, and may not be present in your portfolio in the form of 
working links; a stranger who came across your portfolio entry might be confused as to what's going on.<br />
</li><li>C:&nbsp; <b>Useful and informative summary</b> of what you have learned from 
your online discussions so far, <b>with working links</b> that the reader can follow in
 order to find evidence; a stranger would have some idea of the purpose of your blog portfolio.<br />
</li><li>B:&nbsp; <b>Thoughtful and well-organized explanation</b> of how your 
online discussions have contributed to your learning so far, 
well-supported by links to relevant blog entries; a stranger who comes 
across your blog would be informed and perhaps even enlightened, getting
 some sense of how all this blogging contributes to your understanding 
of the bigger issues we have been studying.&nbsp;&nbsp;</li></ul><blockquote><blockquote>The Bs would be even more useful and informative than the C submissions, an also include&nbsp;<b> more informative linked text </b>(that is, instead of the merely functional 
"Click <u>here</u> for my homework" or "Read <u>my opinion of Emily Dickinson</u>," a B would be more likely to say "I quoted from 'The Chariot' to argue that <u>Emily Dickinson is a sick cookie</u>.")<br /></blockquote></blockquote>
<ul><li>A:&nbsp; Portfolio cover page is not merely a collection of related links, but a <b>persuasive and insightful exploration</b>
 of the relationship between your online work and other modes of 
learning (papers, class discussion, the readings themselves), carefully<b> supported by relevant links </b>(both
 to your own blog entries, and those of your peers, the course website, 
and -- where relevant -- other sources on the internet).&nbsp;</li></ul><blockquote><blockquote>The A submission contains <b>all the strengths of the B submissions</b>, including <b>informative linked text</b> and a brief but helpful <b>explanation of the blog portfolio assignment</b>, for the benefit of random visitors.<br /><br />The higher As would include links to <b>blog entries that show more depth, more interaction, more links</b>, 
and overall more <b>evidence of engagement and insight</b> than the Bs or the lower As.</blockquote></blockquote>]]>
    </content>
</entry>

<entry>
    <title>Final Exam</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/12/final_exam_1/" />
    <id>tag:jerz.setonhill.edu,2010:/EL266/2010//36.12611</id>

    <published>2010-12-08T23:00:00Z</published>
    <updated>2010-08-17T20:39:03Z</updated>

    <summary></summary>
    <author>
        <name>Dennis G. Jerz</name>
        <uri>http://jerz.setonhill.edu</uri>
    </author>
    
        <category term="due_dates" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://jerz.setonhill.edu/EL266/2010/">
        
        
    </content>
</entry>

<entry>
    <title>Paper 2 Revision</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/12/paper_2_revision/" />
    <id>tag:jerz.setonhill.edu,2010:/EL266/2010//36.12612</id>

    <published>2010-12-06T20:00:00Z</published>
    <updated>2010-08-17T20:39:03Z</updated>

    <summary></summary>
    <author>
        <name>Dennis G. Jerz</name>
        <uri>http://jerz.setonhill.edu</uri>
    </author>
    
        <category term="due_dates" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://jerz.setonhill.edu/EL266/2010/">
        
        
    </content>
</entry>

<entry>
    <title>Paper 2: Draft</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/12/paper_2_draft/" />
    <id>tag:jerz.setonhill.edu,2010:/EL266/2010//36.12606</id>

    <published>2010-12-02T03:05:00Z</published>
    <updated>2010-11-18T01:15:07Z</updated>

    <summary></summary>
    <author>
        <name>Dennis G. Jerz</name>
        <uri>http://jerz.setonhill.edu</uri>
    </author>
    
        <category term="due_dates" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://jerz.setonhill.edu/EL266/2010/">
         
        
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</entry>

<entry>
    <title>Presentations and Exam Review</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/12/presentations_and_exam_review/" />
    <id>tag:jerz.setonhill.edu,2010:/EL266/2010//36.12610</id>

    <published>2010-12-02T03:00:00Z</published>
    <updated>2010-11-18T04:40:24Z</updated>

    <summary>Optional: Submit a 3x5 index card of notes. (I will hand it back to you along with the exam. No other notes are permitted for the exam.)...</summary>
    <author>
        <name>Dennis G. Jerz</name>
        <uri>http://jerz.setonhill.edu</uri>
    </author>
    
        <category term="class_topics" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://jerz.setonhill.edu/EL266/2010/">
        Optional: Submit a 3x5 index card of notes.

(I will hand it back to you along with the exam. No other notes are permitted for the exam.)
        
    </content>
</entry>

<entry>
    <title>Ex 6: Creative Critical Response</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/12/ex_6/" />
    <id>tag:jerz.setonhill.edu,2010:/EL266/2010//36.12609</id>

    <published>2010-12-01T23:00:00Z</published>
    <updated>2010-10-27T21:35:47Z</updated>

    <summary>A presentation, using any medium or strategy, that demonstrates your ability to support an insightful, complex literary interpretation. In the past, students have written their own fiction or poetry, that responds to the literary works we have studied. They have...</summary>
    <author>
        <name>Dennis G. Jerz</name>
        <uri>http://jerz.setonhill.edu</uri>
    </author>
    
        <category term="due_dates" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://jerz.setonhill.edu/EL266/2010/">
        <![CDATA[A presentation, using any medium or strategy, that demonstrates your ability to support an insightful, complex literary interpretation. <br /><br />In the past, students have written their own fiction or poetry, that responds to the literary works we have studied. They have written and performed songs (in person and via YouTube).&nbsp; For example, Katie Lantz wrote a song and posted it to YouTube, synthesizing and commenting on the whole semester. <br /><br />
<object width="480" height="385"><embed src="http://www.youtube.com/v/n14yZnaYShA?fs=1&amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></object>

<br />
<br />
<br />I'm completely open to whatever you want to try.<br />
<br />Recently, two students performed interpretive dances, wordlessly acting out key scenes from literary works. Rather than simply summarizing, they performed the same scenes in different ways, highlighting the different emotional possibilities within the text.<br /><br />A shy student brought in a yellow piece of poster board, stood behind it, and delivered a monologue in the persona of the wall from The Yellow Wallpaper.<br /><br />Be ambitious. Be interesting. Be surprising. Be interactive.<br /><br />Evaluation Criteria<br /><br /><ol><li><b>Length</b>: Seven minutes. (I will cut you off at eight minutes. If you join with a classmate, you will share 15 minutes.)</li><li><b>Goal Statement</b>: One page, typed. What intellectual task are you trying to accomplish for your classmates, and how are your creative choices helping them to achieve that goal? (Hand it to me before you begin.)</li><li><b>Ambition</b>: where does your presentation show an element of calculated risk-taking?<br /></li><li><b>Interaction</b>: how did you engage your peers, giving them the chance to participate in the experience?</li></ol><br /><br />]]>
        
    </content>
</entry>

<entry>
    <title>Thanskgiving Break</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/11/thanskgiving_break/" />
    <id>tag:jerz.setonhill.edu,2010:/EL266/2010//36.12608</id>

    <published>2010-11-25T03:00:00Z</published>
    <updated>2010-08-17T20:39:02Z</updated>

    <summary></summary>
    <author>
        <name>Dennis G. Jerz</name>
        <uri>http://jerz.setonhill.edu</uri>
    </author>
    
        <category term="news" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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</entry>

<entry>
    <title>Podcast Reflection</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/11/podcast_gallery/" />
    <id>tag:jerz.setonhill.edu,2010:/EL266/2010//36.13238</id>

    <published>2010-11-22T20:49:47Z</published>
    <updated>2010-11-19T18:41:59Z</updated>

    <summary>While you are here, take a moment to look at the Dec 1 class meeting page. Note that I&apos;m giving everyone the option of bringing a 3x5 index card of notes to the final exam -- but I&apos;m asking that...</summary>
    <author>
        <name>Dennis G. Jerz</name>
        <uri>http://jerz.setonhill.edu</uri>
    </author>
    
        <category term="due_dates" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://jerz.setonhill.edu/EL266/2010/">
        <![CDATA[While you are here, take a moment to look at the Dec 1 class meeting page. Note that I'm giving everyone the option of bringing a 3x5 index card of notes to the final exam -- but I'm asking that you submit the card at the beginning of class on Dec 1. I will return the card to you at the beginning of the final exam. Otherwise, the final exam is not open book or open notes.

Here are links to EL266 podcasts (Ex 5).<br /><br /><ul>
<li><a href="http://people.setonhill.edu/jerz/266/AlexiS.mp3">AlexisS</a></li>
<li>BenD<br /></li>
<li>CassieE</li>
<li><a href="http://people.setonhill.edu/jerz/266/DeanaK.mp3">DeanaK</a></li>
<li><a href="http://people.setonhill.edu/jerz/266/MaryJaneS.mp3">MaryJaneS</a></li>
<li><a href="http://people.setonhill.edu/jerz/266/PatrickS.mp2">PatrickS</a></li>
<li><a href="http://people.setonhill.edu/jerz/266/PeachesO.mp3">PeachesO</a></li>
<li><a href="http://people.setonhill.edu/jerz/266/StephanieW.wav">StefanieW</a></li>
<li><a href="http://people.setonhill.edu/jerz/266/TheresaC.wav">TheresaC</a></li>
<li><a href="http://people.setonhill.edu/jerz/266/ValerieS.wav">ValerieS</a></li></ul><br />Assignment: Listen to and blog about two podcasts -- the ones above and below your names. (Valerie and Alexi, please listen to each other's podcasts.) <br /><br />You can create a single blog entry. Submit it by posting the URL in a comment from this page.<br />]]>
        
    </content>
</entry>

<entry>
    <title>How To Read Literature…</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/11/how_to_read_literature_8/" />
    <id>tag:jerz.setonhill.edu,2010:/EL266/2010//36.12605</id>

    <published>2010-11-18T03:45:00Z</published>
    <updated>2010-08-17T20:39:02Z</updated>

    <summary>Envoi (pp. 278-81)...</summary>
    <author>
        <name>Dennis G. Jerz</name>
        <uri>http://jerz.setonhill.edu</uri>
    </author>
    
        <category term="readings" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://jerz.setonhill.edu/EL266/2010/">
        Envoi (pp. 278-81)
        
    </content>
</entry>

<entry>
    <title>Paper Workshop &amp; Consultations</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/11/paper_workshop_consultations/" />
    <id>tag:jerz.setonhill.edu,2010:/EL266/2010//36.12604</id>

    <published>2010-11-18T03:00:00Z</published>
    <updated>2010-08-17T20:39:02Z</updated>

    <summary></summary>
    <author>
        <name>Dennis G. Jerz</name>
        <uri>http://jerz.setonhill.edu</uri>
    </author>
    
        <category term="class_topics" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://jerz.setonhill.edu/EL266/2010/">
        
        
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</entry>

<entry>
    <title>Ex 5: Interpretive Podcast</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/11/ex_5_interpretive_podcast/" />
    <id>tag:jerz.setonhill.edu,2010:/EL266/2010//36.12601</id>

    <published>2010-11-16T03:05:00Z</published>
    <updated>2010-11-17T18:49:04Z</updated>

    <summary>A 6-minute audio recording, that includes about 3 minutes of you reading from literary works (2-3 poems, OR 300-500 words from a prose passage), and about 3 minutes of a literary argument. Rather than reciting for 3 solid minutes and...</summary>
    <author>
        <name>Dennis G. Jerz</name>
        <uri>http://jerz.setonhill.edu</uri>
    </author>
    
        <category term="due_dates" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://jerz.setonhill.edu/EL266/2010/">
        <![CDATA[A 6-minute audio recording, that includes about 3 minutes of you reading from literary works (2-3 poems, OR 300-500 words from a prose passage), and about 3 minutes of a literary argument. Rather than reciting for 3 solid minutes and then talking for 3 solid minutes, consider different ways to break up the structure in creative and useful ways.<br /><br />Depending on your speaking rate, 3 minutes will be about 500 words, or 
about two double-spaced pages. That could mean a scene from a work of 
fiction, part of a longer poem, or several short poems.<br />
<br />Submit your file by e-mailing it to me. (I suggest that you practice sending me a file sooner, so that we can be sure I can open it.)<br /><br />Audio recording<br /><br />You may use any tool, including Evernote on your iPad, Garage Band on your Mac, or Sound Recorder on a Windows machine. (If you bring your own laptop to my office hour, I will do what I can to help you, but the IT department has a small podcasting studio, that you can reserve in order to record your podcast with the help of a CIT work-study student.)<br /><br />General microphone tips:<br /><ul><li>The microphone in your iPad has been good enough for in-class 
activities, but I encourage you to use better equipment. (The SHU 
laptops have an excellent microphone, and I have a few I can loan you.) <br /></li><li>Rather than shout into the microphone, get your mouth a few inches away 
from it and speak clearly but normally.</li><li>Avoid blowing into the 
microphone when you say words with "p" or "t," or you'll get a 
distracting popping sound.&nbsp; </li></ul><br />Audio quality: <br /><ul><li>Excellent: speaker's voice is clear; no dead space before or after the recording; no distracting background noises (papers shuffling, chairs squeaking) or static; volume levels are steady (and strong) throughout; no distortions or "popping" (which comes from blowing on the microphone when you say a word like "pop").<br /></li><li>Acceptable: speaker's voice is audible; minimal dead spaces (no more than what anyone would tolerate in a conversation); any distortions, background noises or volume changes don't detract from the ability to hear the speaker</li><li>Weak: dead time (longer than we would ordinarily tolerate in a conversation); distracting background noises; voice is distorted (from speaking too loud, too close to the microphone) or too quiet (from speaking too far away from the microphone). <br /></li></ul>If you do choose to add any background sound or music -- and doing so is completely optional -- make sure that the speaker's voice is always dominant. (Strumming a guitar live can drown out your voice if you aren't careful... make sure the mic is close to your mouth, and far from your guitar.)<br />&nbsp; <br />Reading from literary works<br /><br />How can you use your voice to convey meaning? You can get louder or softer; you can speed up or slow down. If you listen closely, you can tell over the phone when someone is smiling, and if someone you're talking to suddenly stops talking, even a brief silence can be effective. <br /><br /><br />Literary argument<br /><br />Apply what you learned from writing the 200-word paragraphs. Refer also to the "Academic Tone" handout, for tips on how to move from personal statements like "I like Hester better than Dimmesdale" to an analytical argument, such as "Hawthorne uses Dimmesdale's many weaknesses in order to highlight Hester's strengths. In fact, if Hawthorne had made Dimmesdale had been a stronger man, he would have not created the trials that made Hester such a believably strong character."<br /><br />An interpretation offers an opinion, supported by evidence. <br /><br />]]>
        
    </content>
</entry>

<entry>
    <title>Online pre-discussion</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/11/online_pre-discussion_1/" />
    <id>tag:jerz.setonhill.edu,2010:/EL266/2010//36.12603</id>

    <published>2010-11-15T22:00:00Z</published>
    <updated>2010-11-11T01:29:37Z</updated>

    <summary>Monday: Analyze an Academic Source (your academic source is your assigned text; please blog about it.)About 150 words, uploaded to Turnitin.com by 5pm.Where do you see FACTS, OPINIONS, and JUDGMENTS in your academic source?How does your author use sources? (How...</summary>
    <author>
        <name>Dennis G. Jerz</name>
        <uri>http://jerz.setonhill.edu</uri>
    </author>
    
        <category term="due_dates" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://jerz.setonhill.edu/EL266/2010/">
        <![CDATA[Monday: Analyze an Academic Source (your academic source is your assigned text; please blog about it.)<br /><br />About 150 words, uploaded to Turnitin.com by 5pm.<br /><br />Where do you see FACTS, OPINIONS, and JUDGMENTS in your academic source?<br /><br />How does your author use sources? (How long are the quotes, to what extent do they summarize, what purpose do they serve?)]]>
        
    </content>
</entry>

<entry>
    <title>TBA</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/11/tba_1/" />
    <id>tag:jerz.setonhill.edu,2010:/EL266/2010//36.12602</id>

    <published>2010-11-15T20:00:00Z</published>
    <updated>2010-08-17T20:39:02Z</updated>

    <summary>(An argument that relies upon academic sources.)...</summary>
    <author>
        <name>Dennis G. Jerz</name>
        <uri>http://jerz.setonhill.edu</uri>
    </author>
    
        <category term="readings" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://jerz.setonhill.edu/EL266/2010/">
        (An argument that relies upon academic sources.)
        
    </content>
</entry>

<entry>
    <title>How To Read Literature…</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/11/how_to_read_literature_7/" />
    <id>tag:jerz.setonhill.edu,2010:/EL266/2010//36.12599</id>

    <published>2010-11-11T04:30:00Z</published>
    <updated>2010-08-17T20:39:02Z</updated>

    <summary>Chapters 22-24...</summary>
    <author>
        <name>Dennis G. Jerz</name>
        <uri>http://jerz.setonhill.edu</uri>
    </author>
    
        <category term="readings" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://jerz.setonhill.edu/EL266/2010/">
        Chapters 22-24
        
    </content>
</entry>

<entry>
    <title>Uncle Tom&apos;s Cabin</title>
    <link rel="alternate" type="text/html" href="http://jerz.setonhill.edu/EL266/2010/11/uncle_toms_cabin/" />
    <id>tag:jerz.setonhill.edu,2010:/EL266/2010//36.12598</id>

    <published>2010-11-11T03:30:00Z</published>
    <updated>2010-11-05T21:23:17Z</updated>

    <summary>Aiken&apos;s popular dramatization of Harriet Beecher Stowe&apos;s novel.Please note: I am not assigning the novel. Instead, I am assigning a script of a theatrical adaptation. Reading a play script really requires you to play the role of the director and...</summary>
    <author>
        <name>Dennis G. Jerz</name>
        <uri>http://jerz.setonhill.edu</uri>
    </author>
    
        <category term="readings" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://jerz.setonhill.edu/EL266/2010/">
        <![CDATA[Aiken's popular dramatization of Harriet Beecher Stowe's novel.<br /><br />Please note: I am not assigning the novel. Instead, I am assigning a script of a theatrical adaptation. Reading a play script really requires you to play the role of the director and the actor. The playwright will sometimes throw in a stage direction such as "bitterly" to explain how the actor should deliver the line, but each speech is written to be spoken aloud, with the benefit of costumes, sound effects, and scenery. <br /><br /><b>Reading a Play Script<br /></b><br />One entire act of this play is taken up with nothing but the following stage direction.<br /><blockquote>[<i><i>The entire depth of stage, representing the Ohio River filled with Floating Ice. Set bank on right and in front. Eliza appears, with Harry, on a cake of ice, and floats slowly across to left. Haley, Loker, and Marks, on bank right, observing. Phineas on opposite shore</i>.</i>]<br /></blockquote>When you read that, you might think, "big deal."<br /><br />Here's a brief bit of business from the script of Star Wars.<br /><br /><blockquote>
INTERIOR: DARTH VADER'S COCKPIT.<br /><br />
VADER: The Force is strong with this one!<br /><br />
EXTERIOR: SURFACE OF THE DEATH STAR.<br /><br />
Vader follows Luke's X-wing down the trench.<br /><br />INTERIOR: LUKE'S X-WING -- COCKPIT.<br />
<br />
Luke looks to the targeting device, then away as he hears<br />
Ben's voice.<br />
<br />
BEN'S VOICE: Luke, trust me.<br /></blockquote>




A whole team of technical and creative people put a lot of effort into turning those few lines into an intense character-defining moment, in the middle of a heart-stopping action sequence.<br /><br />Your job, as you read a play script, is to try to supply mental images of the scenery, costumes, facial expressions, tone of voice, and actions of the performers, turning a few lines of dialogue into a visual and kinetic experience.<br /><br />If you've ever seen a live production of Peter Pan, even though you can see the wires, the sight of actors flying around on stage right in front of you is very powerful.&nbsp; And even though you know the actors aren't really hurting each other, watching people punch each other and roll around on the floor, slamming into furniture or pulling hair is a very different experience from reading "A fight breaks out."&nbsp; <br /><br />Typically, audiences would applaud sudden scene changes, or stage effects such as snowstorms, gun battles, people jumping down great distances or climbing up great heights, pieces of scenery being raised or lowered dramatically, and so forth.<br />
<br />As you read, look for long stage directions, and really slow down and imagine how a live production would make that sequence emotionally interesting for the audience. <br /><br /><br />You can find the full text here:<br /><br /><a href="http://etext.virginia.edu/etcbin/toccer-new2?id=AikUncl.sgm&amp;images=images/modeng&amp;data=/texts/english/modeng/parsed&amp;tag=public&amp;part=all">Aiken's adaptation of Uncle Tom's Cabin (Full Text) </a>&nbsp; | <a href="http://etext.virginia.edu/toc/modeng/public/AikUncl.html">Table of Contents</a><br /><br /><br />]]>
        
    </content>
</entry>

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