Miko, ''Tempest''

“If as I believe Shakespeare will not allow either unequivocal idealization or consistent, “realistic” parody, all the characters are mirrors of us, especially as we are all artist-dreamers, and all the mirrors are chipped and cracked” (382).

http://blogs.setonhill.edu/AngelaPalumbo/2009/04/arent_we_all_artist-dreamers.html

I want to know how do you see art?

Good vs. Evil = A Mixture of Both
http://blogs.setonhill.edu/GretaCarroll/2009/04/good_vs_evil_a_mixture_of_both.html

That brothers can kill each other is unnatural only from the point of view of someone who insists that natural always means moral..."

“The main point, to which I think Shakespeare consistently returns, is that attempts to match words and things, wishes and realities, inevitable leave disjunctions, especially for those who insist on neatness and univocality" (Miko 381).

"Does this play have loose ends or not? Those who lean toward heavily symbolic readings tend to think not; those who favor character analysis and even moral analysis tend to think it does" (Miko 375).

It may get MESSY!!

Lugging Logs
http://blogs.setonhill.edu/JennaMiller/2009/04/lugging-logs.html

Literary Lessons Learned from Prospero's Mistakes

"Does this play have loose ends of not? Those who lean towards heavily symbolic readings tend to think not; those who favor character analysis and even moral analysis tend to think it does." (Miko 375).

Except for the most obvious one, residing in the gap between Miranda's innocence and our knowledge that some of these beauties are attempted homicdes" (Miko 375).

http://blogs.setonhill.edu/SueMyers/2009/04/homicidal-tempe.html