Welcome to EL 227, "News Writing."
The course website is located at http://jerz.setonhill.edu/EL227. I will update the online syllabus periodically, adding chapters in our textbooks or links to reporting on current events, as our progress in the course dictates. The printout I give on the first day of classes is only part of the information available online.
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We will try to construct our own definition in class.
According to
The News Manual (an introductory text intended for readers in developing nations):
There are many reason for becoming a journalist and many type of
journalists to become. It is a career with many challenges and rewards.
Journalists must:
- Have an interest in the world around them.
- Love language.
- Have an alert and ordered mind.
- Be able to approach and question people.
- Be polite but persistent.
- Be friendly and reliable.
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Read (and bring to class)
a copy of Tuesday's Tribune-Review. Copies are usually available for free outside the cafeteria, and there is a copy for you to consult in Reeves Library.
In class, we will be focusing on the newspaper as a physical object, and specifically on the layout of the front page.
- What is the function of the various parts of the front page?
- How do those parts work together to communicate the relative importance of the news items?
- How does the front page differ from the Tribune-Review home page?
A creative expression of your relationship to the news. Have you ever "made the news" -- as a subject or as a reporter? How do we, as consumers, "make the news" that is offered to us?
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One or two sentences at the beginning of a news story that encapsulate the news. Write it so that the reader would still understand the main point of the story even if he or she only read the lead.
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Hard news describes stories that are newsworthy chiefly because they are about events that have a significant impact on the lives of many people. Examples might include an outbreak of an infectious disease, the bursting of a downtown water main, a hostage crisis at a local daycare, or an attempted assassination of a dignitary visiting the White House. Global events, such as wars and crises, are hard news.
The story about the lonely zebra in another state that escapes from the zoo and is recaptured when it takes an interest in a police officer's horse? Definitely soft news, unless, for instance the chase for the zebra causes a traffic snarl that leads to a violent road rage incident. (See "If it bleeds, it leads.")
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To spike a story is to reject it for publication. Perhaps the story is not newsworthy, important facts cannot be confirmed, or the reporter seems too close to the story to be objective. The editor would traditionally stick the pages onto a metal spike on his desk.
The building blocks of journalism. Use Tuesday's Tribune-Review to find specific examples of two or three general points that Scanlon mentioned.
On Thursday, watch WTAE-TV "Channel 4 Action News" at 5, 6, or 11pm.
Keep a log of how the show uses its time. (Theme music? Anchors
chatting? Promotion of stories that are "coming up after the break"?)
- During a 30 minute TV news program, how much time is spent on actual news?
- Of that actual news content, how much was created by the WTAE reporters here in the Pittsburgh area?
- What is happening during the rest of the time?
- Compare this WTAE job description with the characteristics of a "journalist" from The News Manual.
Don't be scared by the word "quiz" -- this is just to test the "clicker" hand-held voting gadgets. (Bring the gadgets every day… I won't announce every clicker assessment session.)
A comic strip called "Goodbye, Foom" offers commentary on the role of
television in the creation of public events.
"Dog bites man" is snoozeworthy because it happens all the time, but "man bites dog" is less common, so it is more newsworthy.
A Newsworthy Story
- is uncommon (rather than common)
- affects many people (rather than few) people
- has significant impact (rather than trivial)
- happens nearby (rather than far away)
- involves prominent people (rather than ordinary people)
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Everyone will read and be prepared to talk about these two sections of an essay by award-winning broadcast journalist Greg Byron.
We will divide the class up into groups that will be ready to discuss the following sections:
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You should really, really avoid empty intensifiers, a whole lot. They are the biggest wasters of words.
If you feel that your reference to "a big dog" doesn't do the dog
justice, instead of writing "a [very big / damn huge / friggen humongous] dog," a
good journalist will ask questions so that the passage will read
"130-pound Rottweiler named Bruiser."
If calling something "a disappointment" doesn't do it justice, calling it "a big disappointment" or "a very big disappointment"
or "a colossal disappointment" will be no better. Express intensity in
more direct, context-sensitive ways. A fourth-quarter loss might be "a
crushing disappointment," while an uninteresting movie might be "a
mind-numbing disappointment." Instead of "a big X" or "a very big X,"
consider "a crippling blow," "an unwieldy overcoat," or "a generous pie
slice."
A news article (hard or soft) should have at least three sources,
and should mention each source at least once in the first half of the
story.
Don't leave "the opposing view" until the last paragraph, because an editor will expect to be able to chop off the bottom of your story to fit it in on the page.
A movie or restaurant review is based mostly on the author's direct observations of the subject, and thus might not include any additional sources.
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Can you recognize a good lead? Do you know when and how to attribute? Can you recognize bias? We'll find out what you know, so that I'll know what you need.
You may already be very familiar with how to write an essay for an English class. Writing scholastic essays gives you verbal and compositional skills that transfer well to news writing. Nevertheless, your goals as a news writer are different, so what counts as "good writing" is different.
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English
Essay
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News
Story
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Audience: Your Instructor
Usually, the
instructor knows more about the
subject than the student-author.
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Audience: The General Reader
Usually, the reporter knows more about
the subject than the general reader.
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Essays for Your Instructor
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Your academic goal is to demonstrate how
much you know or what you can do.
- Your instructor does not expect you to be an expert. You are
supposed to be learning. You write from the position of a learner.
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An
instructor already knows the subject matter, and is interested in
evaluating your knowledge, technique, and growth over time. Your
teacher will read your work with an expert eye, ready to call your
attention to claims that are inaccurate, misleading, or incomplete.
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Journalism for the General Public
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A journalist aims to inform the
reader.
- The journalist writes from a position of authority. The news is supposed
to be a source of verified facts, not just a vehicle
for passing along what people are saying. (We will cover the term "verification" later.)
- Most readers won't know when you are wrong. Their understanding of the
subject depends entirely on your ability to research and write the news.
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Personal Perspective
-
In high school, you may have been asked to express your
feelings, perhaps by explaining what you would have done if you
were in the protagonist's place, or relating a concept to your own life.
- You used phrases like "I think" or "I feel" or "now that I look more
closely at it..." in order to tell the story of how you came to
your present understanding of a subject or incident.
- Your teacher rewarded you for demonstrating personal involvement
with the subject, because students who engage in this
manner are generally more likely to learn the subject matter.
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Objective Perspective
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Traditional journalists stay out of the story. No
"I" or "me," and no "this reporter," either. (We will cover the concept of the "Invisible
Observer" soon.)
- Journalists report the emotions and opinions of the sources they
interview --not their own personal feelings. (We will cover the concept of "Attributions" soon.)
- Journalism investigates each story from the perspective of those
who care -- including those whose reasons for caring conflict with each other, or with the journalist's personal
values. (If it's not interesting to you, it may be interesting to someone.)
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Skim this… I won't grill you on the details of Dr. Seuss's life, but note the reporter mentions the breed of the dog and the model of the car.
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http://tinyurl.com/m5wudd
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5-10 minute MP3. http://jerz.setonhill.edu/EL200/2009/Newsworthiness.mp3
Interview a partner, for a 400-word profile; rough draft is due online Monday.
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Write, or sing, or capture on audio or video, or present through a poster or interpretive dance or Halo 3 machinima or a tiny diorama carved out of Lucky Charms marshmallows... whatever,
300 words and/or 2 minutes of content, on your relationship to the news.
All I ask is that in class, you give me something so that I can read, watch, hear, or otherwise re-experience your 2 minute
presentation in the comfort of my office. (I may not actually see your in-class
performance, because the class will be divided into groups and you'll mainly be presenting for each other. ... so, e-mail me your Youtube URL? Hand me a printout? Burn me a CD?)
An obituary is a form of profie in which, for obvious reasons, you can't interview the subject.
http://tinyurl.com/mt6rwv
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Submit online to Gooogle Docs by 3pm.
In language, prefer the simple over the complex; the concrete over the abstract, and the personal over the impersonal.
In traditional journalism, reporters are invisible observers. They should not emphasize their own participation in the events they describe.
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A few sentences, following soon after the lead, that explains the newsworthiness of the article. Sometimes called the "nut graph" (short for "paragraph") or simply the "nut." Why should the reader bother to care about what follows? How do the events in this story relate to recent trends or events, national or international issues, or unusual human interest?
A story that leads with an account of a mugging might have a nut that notes this was the third mugging this week, or that it happened the night the mayor gave a medal to the police.
When writing a nut, never say, "This story is important because...", and don't try to address every single possible way that a story might be considered newsworthy. Instead, write a paragraph that flows naturally from the news you have just reported, and links these specific details to the greater community of readers, answering the question "who cares?"
Write an obituary, based on information I give you (TBA).
Bring 1) 3 print copies of the latest version of your Article 1 Draft. 2) a photo of yourself, (or plan to pose for photos in class) so your peer will have an illustration to work with.
Complete an online peer review before class. (Details to follow.)
Reporters and editors across the globe turn to one source to resolve grammar and punctuation disputes.
TBA
Add final revisions to Google Docs submission by 9am tomorrow.
http://jerz.setonhill.edu/weblog/2009/05/the_rise_and_fall_of_the_bus_p/
Write a short accident report, based on information I give you. (TBA)
Also, introduction to story pitches.
Who, what, when, where, why, and how: befriend these questions. But don't answer them, in that order, in every lead.
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On your SHU blog, write a brief reflective essay, or a list with evaluative notes, that presents your online work, organized into the catgories I will provide.
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Conserve words. You'll need to use complex sentences to untangle the petty squabbles of a dysfunctional city council, or to convey the majesty of an inaugural parade. Pack more into a smaller space. (Twitter is great practice.)
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http://www.freep.com/legacy/jobspage/toolkit/pitch.htm (and more TBA)
Why is "allegedly" such an important word?
Write a short crime report, based on information I give you. (TBA)
A recent local event, TBA
http://www.thenewsmanual.net/Manuals%20Volume%202/volume2_35.htm
Pitch a story for covering SHU's Friends and Family Weekend (aka Homecoming). Have a back-up, in case someone else makes a better pitch for the story you want.
TBA
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We'll do some role-playing. Bring 3 questions that you would ask if you had the chance to meet a public figure.
Find an article, published within the last 3 months, that you consider a useful model for the story you were assigned. Demonstrate your developing understanding of news writing by creating your own "X-Ray reading" of it.
TBA
Newseum Website
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From breaking news, to the second day lead, to the follow-up.
You will have time to prepare questions for a guest speaker.
From local reaction to a national or global story, to community news.
The editorial persuades, informs, and/or entertains. Unlike news features, an editorial does have a point of view.
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Vocabulary & AP Style
A 400-word article that localizes a national or global story.
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The visitor will help you prepare for Article 3.
Pitch a story associated with the National Catholic Center for Holocaust Education (conference at SHU, Oct 24, 25 and 26)
Write a short news story, based on information I give you. (TBA)
Actually, today's topic will depend on whether we can get a computer lab. We'll see.
Details TBA.
http://www.nytimes.com/
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What links will you use in your story? What online content can you find, or create, to help your words tell the story?
http://www.azstarnet.com/garbage/
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http://www.wired.com
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In groups, you will work on an electronic front page and a consistent look for your individual articles -- together with any supporting files, such as images, sounds or video).
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