Best evidence of ice on mars: “It must be ice,” said Phoenix Principal Investigator Peter Smith of the University of Arizona, Tucson. “These little clumps completely disappearing over the course of a few days, that is perfect evidence that it’s ice. There had been some question whether the bright material was salt. Salt can’t do…
Literatronica: Juan: Empower the computer to be part of the literary transaction… mathematical literature. Mathematical literature — not the syntatic approach, using mathematical language to describe a story. Not a semantic approach, using theorems to define stories. Lexicographic Hypertext — basic HTML with nodes connected via links. We navigate through the network to get from…
Chris Crawford has been working on Storytron for 16 years. The computer gaming industry was not intersted in or able to solve the problem of interactive storytelling. Left the gaming industry to solve that problem on his own. Has been explaining Storytron for 10 years, says that during that time he has “failed miserably.” About…
Dene joined us remotely from her lab in Vancouver, demonstrating multimedia works that are performed through hyperlinks triggered by a performer’s actions in a 3D space. The demonstration is intended to challenge the notions of a hyperlink as a silent component of a 2D work. First demonstration — Virtual DJ. Spinning circles of light…
Steve introduced Susan Gibb as a driving force behind the writing and digital media culture in a small town in Connecticut. (I’m really impressed by what comes from Tuxnis Community College). Susan presented us with the thinking behind the creation of a 300-node creative hypertext work in StorySpace. Susan walked the audience through the process…
Alan Bigelow discusses his art installations featuring the short-form Flash genre. In his introduction, he stated that he doesn’t think that he writes hypertext, and spoke with hope of a future in which new media authors know what terms to apply to their work. The opening screen of his American Ghosts refers to a “webyarn,”…
Steve Ersinghaus started the creative hypertext workshop by playing Changing Key: A “video hyperdrama” by Charles Deemer. In the introduction, Deemer notes that the audience in a play is passive, and conjures up the idea of a family Thanksgiving in which multiple groups interact in multiple rooms, with the audience inserted into the drama like…