I was busy at the Hypertext ’08 conference these past few days, so only now am I following up on the AP vs. Bloggers story. According to NYT blogger Saul Hansell: one key issue is the A.P. wants to protect the headline and first paragraph of its articles. He suggested that this will put The…
Lisa Spiro posts an interesting analysis: I wanted to get a quick visual sense of the two texts, so I plugged them into Wordle, a nifty word cloud generator that enables you to control variables such as layout, font and color. (Interestingly, Wordle came up with the perfect visualizations for each text at random: Pierre…
Chair: Ken Anderson (University of Colorado at Boulder, USA)Enhancing Access to Open Corpus Educational Content: Learning in the Wild (Long Paper) Seamus Lawless, Lucy Hederman and Vincent Wade Lack of relevant and accessible digital content hampers the implementation of e-learning. As these eLearning tools begin to try to offer personalization, the tools require access to…
Chair: Mark Bernstein (Eastgate Systems, USA) Information Flows and Social Capital in Weblogs: A Case Study in the Brazilian Blogosphere (Long Paper) Raquel Recuero Qualitative study. Perception is that bloggers are just wasting time, but people have strong personal reasons for blogging. Went quickly through the obligatory background slide… I wonder that this audience might…
Chair: Andreas Hotho (Universität Kassel, Germany) The Very Small World of the Well-Connected (Long Paper) Xiaolin Shi, Matthew Bonner, Lada Adamic and Anna Gilbert Matt Bonner is the presenter; this paper won a “best paper” award at the banquet last night. Vertex Important Graph Synopsis. (Promises a definition!) Opening image — “Network or Hairball?” Huge…
Brent Batson (via): Academics have long talked of the “academic conversation.” Now, Web 2.0 has called our bluff. We live in the midst of a non-stop world conversation. But, are conversational skills (in writing) important and, if so, how do we teach them?
Scott Sharkey: Often called a dead genre, interactive fiction continues to flourish long after reaching the end of its commercial lifespan. In the decades since whiz-bang graphics drew away the attention of the masses, hundreds of games have continued to evolve the genre — to the point where it can be a little intimidating to…
John Kleinberg This year’s conference emphasizes social linking and its relation to information linking. A striking slide illustrated the tangled interconnections of online friendships, as opposed to the red and blue nodes that characterize political blogs (with some neutral interconnections). (Blackstorm-Huttenlocher-Kleinberg-Lan 2006) and (Adamic and Glance 2005) Bridging levels of scale; Zacharly 1977 studying a…
Chair: Ethan Munson (University of Wisconsin) Dynamic Prediction of Communication Flow Using Social Context (Short Paper)Munmun De Choudhury, Hari Sundaram, Ajita John and Doree Seligmann Estimate intent to communicate and the associated delay. Using MySpace, successful prediction of intent to communicate. [This section is a review of related work, so the speaker is going quickly…
Inside Higher Ed: Understandably, professors frustrated with large class sizes turn to technology such as clickers in an attempt to engage students. Often, the technology become the handmaiden of an administration bent on sustaining huge classes where students need opera glasses to see the instructor. No wonder students are bored; answer their cell phones and…
Because I’m unfamiliar with the poster paper genre, my own textual bias made me want to read all the text on the poster before I was ready to listen to the presenter’s explanation. A couple times I had to tell the eager presenter to give me a minute to take in all the information before…
I don’t attend many science/technology conferences, so the genre of the one-minute poster presentations is brand new to me. The genre is akin to the haiku or flash fiction — it’s a research paper bared down to the bones. Flash scholarship? 60-second-scholarship? About 20 people pre-loaded their slides onto the conference room computer, then lined…
Today’s keynote: Brughel painting showing the social dynamics of a village festival. Grounded the talk with a presentation of statistics on user-generated content (Facebook, MySpace, etc.), noting that whether those users are interacting with one another is another question. Noted that his research is observational rather than experimental, and that he won’t be able to…
Best evidence of ice on mars: “It must be ice,” said Phoenix Principal Investigator Peter Smith of the University of Arizona, Tucson. “These little clumps completely disappearing over the course of a few days, that is perfect evidence that it’s ice. There had been some question whether the bright material was salt. Salt can’t do…
Literatronica: Juan: Empower the computer to be part of the literary transaction… mathematical literature. Mathematical literature — not the syntatic approach, using mathematical language to describe a story. Not a semantic approach, using theorems to define stories. Lexicographic Hypertext — basic HTML with nodes connected via links. We navigate through the network to get from…
Chris Crawford has been working on Storytron for 16 years. The computer gaming industry was not intersted in or able to solve the problem of interactive storytelling. Left the gaming industry to solve that problem on his own. Has been explaining Storytron for 10 years, says that during that time he has “failed miserably.” About…
Dene joined us remotely from her lab in Vancouver, demonstrating multimedia works that are performed through hyperlinks triggered by a performer’s actions in a 3D space. The demonstration is intended to challenge the notions of a hyperlink as a silent component of a 2D work. First demonstration — Virtual DJ. Spinning circles of light…
Steve introduced Susan Gibb as a driving force behind the writing and digital media culture in a small town in Connecticut. (I’m really impressed by what comes from Tuxnis Community College). Susan presented us with the thinking behind the creation of a 300-node creative hypertext work in StorySpace. Susan walked the audience through the process…
Alan Bigelow discusses his art installations featuring the short-form Flash genre. In his introduction, he stated that he doesn’t think that he writes hypertext, and spoke with hope of a future in which new media authors know what terms to apply to their work. The opening screen of his American Ghosts refers to a “webyarn,”…
Steve Ersinghaus started the creative hypertext workshop by playing Changing Key: A “video hyperdrama” by Charles Deemer. In the introduction, Deemer notes that the audience in a play is passive, and conjures up the idea of a family Thanksgiving in which multiple groups interact in multiple rooms, with the audience inserted into the drama like…