Avoid trying to publicly shame a ballet mistress who can write.
This morning, someone pseudonymously spammed the parent email list at my daughter’s ballet school, with a scolding complaint about a delayed cast list. It read, in part: “We pay our fees on time…. We received the email to donate to the school’s fundraiser this week on time. But no cast List. This is a teachable moment to demonstrate that being on time, especially when a promise is involved, is important.”
The school’s response, posted about a half hour later, ended thus: “Emailing using an address we can not identify and failing to sign your email shows a lack of conviction. Failing to understand that it is a relatively easy thing to discover your identity through your IP address is another indication that your action was not thought through. If the lessons you wanted to teach here were your own ignorance, arrogance and cowardice, you’ve succeeded.”
The whole response is worth a sincere, rousing “slow clap”.
Scene: I am driving my teenagers to an audition.
Girl: Peter, did you leave your sideburns?
Boy: I didn’t shave at all.
Me: Good. A beard is appropriate for this play.
Girl: Fiddler on the Roof is a *musical*.
I don’t follow sports, so I don’t feel fully equipped to comment on the issue, but when a friend raised it via an email I thought I’d share my thoughts about the rhetorical and dramatic nature of patriotism and protest. I have often wished I could attend a concert/literary discussion where singers performed the national anthems of countries from trouble spots around the world, and then people from those countries…
A few weeks ago, my 14yo played Helen Keller in the Latrobe Cabaret Theatre’s production of The Miracle Worker. This clip is from a rehearsal of the epic breakfast scene, a wordless battle of wills between young Helen (who has been blind and deaf since she was a toddler) and her teacher Annie Sullivan (played by the amazing Pamela Lee). I used an abbreviated version of this scene in an…
Kinetic Theatre‘s production was full of great twists that honor the source material while also smashing the fourth wall. (Carolyn has worked with all three cast members in PICT’s Great Expectations and/or Oliver Twist.)