Humanities: July 2007 Archive Page

A frequent objection I hear from Digital Immigrant educators is "this approach is great for facts, but it wouldn?t work for 'my subject.'" Nonsense. This is just rationalization and lack of imagination. In my talks I now include "thought experiments" where I invite professors and teachers to suggest a subject or topic, and I attempt --on the spot -- to invent a game or other Digital Native method for learning it. Classical philosophy? Create a game in which the philosophers debate and the learners have to pick out what each would say. The Holocaust? Create a simulation where students role-play the meeting at Wannsee, or one where they can experience the true horror of the camps, as opposed to the films like Schindler's List. It's just dumb (and lazy) of educators -- not to mention ineffective -- to presume that (despite their traditions) the Digital Immigrant way is the only way to teach, and that the Digital Natives' "language" is not as capable as their own of encompassing any and every idea. --Marc Prensky --Digital Natives, Digital Immigrants (marcprensky.com)

Extremely relevant when it was written in 2001, and still important now. When I recently gave a talk about simulations in Holocaust education, I didn't mention this passage, but I probably should have.

First Amendment lawsuits by student journalists at public universities become moot when the plaintiffs graduate, according to a decision by the U.S. Court of Appeals for the 10th Circuit. --Scott Jaschik --Loss for the Student Press (Inside Higher Ed)

That sounds very disturbing.

An ideal example of abandonment is the relationship between Linus and The Great Pumpkin. Every Halloween, Linus faithfully waits by a pumpkin patch, in the hopes that he will be blessed with the holy experience of a visitation by The Great Pumpkin. Of course, The Great Pumpkin never shows up, and He never answers Linus' letters. Despite this, Linus remains steadfast, even going door to door to spread the word of his absent deity. Does The Great Pumpkin exist? We can never know. But from an existential point of view, it doesn't matter if he exists or not. The important thing is that Linus is abandoned and alone in his pumpkin patch.

[...]

Why does Charlie Brown tear himself into knots over the little red-haired girl? The very possibility that he could go over and talk to her is far more distressing than its impossibility would be; he must take ownership of his failure. When she is the victim of a bully in the school yard, Charlie Brown's despair threatens to leap right off the comic page. He isn't suffering because he can't help her, but because he could help her, but won't: "Why can't I rush over there and save her? Because I'd get slaughtered, that's why..." When Linus helps her out instead, thereby illustrating his freedom of action, Charlie Brown only becomes more melancholic. --Nathan Radke --Sartre & Peanuts (Philosophy Now)

Of course, Charlie Brown does keep trying to kick the football, so he is not completely immobilized. He is also the manager and pitcher of a hopeless baseball team, but he (and his teammates) keep playing anyway. Radke interprets these incidents as a sign of disconnectedness with the past, and the possibility of change.

Lucy's own psychological problems make her a fairly suspect voice of reason in her role as Charlie Brown's therapist. But in Schroeder's veneration of Beethoven, we do see a largely positive representation of humanist faith.

Breaking News: Something Happening In Haiti --Breaking News: Something Happening in Haiti (The Onion (Satire))

Great commentary on the accelerated news cycle.

The car could be up on blocks and be just as astonishing. | It goes to show you how we in the press so often miss the big stories that are right under our noses. There is a famous journalistic legend about the time a young reporter covered the Johnstown flood of 1889. The kid wrote: "God sat on a hillside overlooking Johnstown today and looked at the destruction He had wrought." His editor cabled back: "Forget flood. Interview God." --Ebert on "Herbie: Fully Loaded" (2005)

Watching "Bedazzled," I was reminded of the ancient newspaper legend about the reporter sent to cover the Johnstown Flood. "God stood on a mountain top," he wrote, "and saw what his flood waters had wrought." His editor cabled back: Forget flood. Interview God. Why was I remembering this old story? -- Ebert on "Bedazzled" (2000)

"God stood on a mountain here today," he wrote, "and saw what his waters had wrought." His editor cabled him: "Forget flood. Interview God." That was my reaction while watching "Gospa." Ebert on "Gospa" (1996)

Watching "Fire in the Sky," I was reminded of a famous old journalism story. Sent to cover the Johnstown Flood, reporter Bob Considine began his story: "God stood on a mountain top here today, and surveyed the damage that His floodwaters had wrought." His editors cabled him: "Forget flood. Interview God." In the case of "Fire in the Sky," my advice to the filmmakers would be, forget the five pals and their problems, and spend more time with Travis Walton inside the spaceship. --Ebert on "Fire in the Sky" (1993)
Forget Flood. Review Movies. (rogerebert.suntimes.com)

It's a great anecdote. I don't see anything wrong with using it four times over 12 years, but it's interesting to see how the text of the story changes.

Barker: "I think that Roger Ebert's problem is that he thinks you can't have art if there is that amount of malleability in the narrative. In other words, Shakespeare could not have written 'Romeo and Juliet' as a game because it could have had a happy ending, you know? If only she hadn't taken the damn poison. If only he'd have gotten there quicker."

Ebert: He is right again about me. I believe art is created by an artist. If you change it, you become the artist. Would "Romeo and Juliet" have been better with a different ending? Rewritten versions of the play were actually produced with happy endings. "King Lear" was also subjected to rewrites; it's such a downer. At this point, taste comes into play. Which version of "Romeo and Juliet," Shakespeare's or Barker's, is superior, deeper, more moving, more "artistic"? --Games vs. Art: Ebert vs. Barker (Roger Ebert | Sun Times)

Film reviewer Roger Ebert fisks novelist and gamer Clive Barker. Filing this for a rainy day.

As I see it, a good reporter is like a pinball in play, always gathering, writing, revising, gathering, writing, revising--until time runs out. The job is as simple, and as hard, as that.

The advice here is based on the teachings of reporters I admire. It is also based on conclusions I have drawn during 26 years as a writer, editor and teacher. --Jim Hall --Beginning Reporting (VCU)

Looks like a great resource.

There once was a horse-riding chap
Who took a trip in a cold snap
He stopped in the snow
But he soon had to go:
He was miles away from a nap. --Lore Sjöberg --Famous Poems Rewritten as Limericks (Bad Gods)

bootlegs are wierd the only time i gop online is to blog on this my space woich juliet you are free to bring oiver to m,y site as its mine and i own it, anyway i dont know i told all myf riends an dyou too to be there 1030 sharp because weve been allabout goping on time and i was told 1030- then there was one of the mopst remarkable technicaL PVERSIOGHTs in my entire career- the oplder dudes whove done hgouse sound from, SIR a jillion times forgot to TURN ON THE SUBWOOFERS. so i beeged for 15 mopre minutes to figure out why the hell a real band wich would be moine sounded like a trebley backing band to an american idol songbird, tweeters are the hiogh end and woofers tge low but sib woofers are the bass and the toms and kick growl and i rtold stu the truth= chicks just do not end up with drummers of his strentgth and aptitude- whatver that fguy nedsx to keep him happy - wich sinc ehe has a farm on tghe Isle of Wight and just nothing fazes him - isnt to hard- hi sintetion is just to play cdrums and imA bit of a dudem, im thinking and i think im right abou tthis we need obne more Samantha level ro0kc ballsy song - even though has that fine razors edge al;mist cheeze but not bridge wich quuickly turns ballsy= mne and pete wrote one "car crash" wich wqe doid at studio b when LP was prepping for her biog and hey i aint getting in any trouble again so no fucking names- --Courtney Love --nyc wtf?Warning, horrific spelling and grammar per usual! (Courtney Love's MySpace)

This is sort of a random chunk out of a 7000-word blog entry. One single paragraph in the middle is about 3500 words long.

I had previously blogged a speech Love gave in 2000, which was a well-argued, detailed explanation of how the recording industry makes millions off of bands that (according to Love) barely make any money at all. I found that speech persuasive and enlightening, but I find what she wrote in her MySpace page to be completely incomprehensible. The really funny thing is that people are leaving comments praising Love and thanking her what she wrote...

Wow. I guess it really is the thought that counts.

A string of publishers failed to spot blatant plagiarism of one of English literature's most famous authors, in a cheeky test to see if she would have secured a book deal today, a report said Thursday.

David Lassman, head of the Jane Austen Festival in Bath, sent manuscripts to 18 editors seeking a publishing contract, using only slightly disguised versions of chapters from the iconic novelist's most famous works.

But only one publisher spotted the fakes, which included perhaps the most famous line in all English literature, the opening sentence of her 1813 work "Pride and Prejudice".... which he renamed "First Impressions".

"Thank you for your recent letter and chapters from your book 'First Impressions'. It seems like a really original and interesting read," wrote Penguin. Harry Potter author J. K. Rowling's agents Christopher Little said they were "not confident" of being able to place the work.

The only editor to spot the ruse was apparently Alex Bowler of Jonathan Cape. --AFP (Yahoo | AFP (will expire))

This story illustrates the level of attention paid to the "slush pile" -- the flood of unsolicited manuscripts that entry-level editors sift through. The editors would have had to take the extra time to write a personalized rejection letter, and my guess is that even the editors who noticed the prank didn't feel motivated to take that extra time.

I never thought that I would spend my fifteen minutes of fame dressed as as ostrich. --Megan Ritter --Adventures in ostrich suits.... (Megan Ritter)

A member of Seton Hill's College Republicans posts a brief reflection on her appearance on a Time.com front-page feature, as one of the 10 weirdest YouTube questions posted for the upcoming Democratic presidential nomination debate.

Without the internet, we would see fewer costumed students making choreographed question-posing gestures in front of the White House, and I think it's safe to say the world would be just a little bit poorer for it.

Interest in ombudsmen has increased in response to all the polls showing that readers do not hold newspapers in particularly high regard. This problem is hardly a novel one. Similar circumstances led Ralph Pulitzer to establish a Bureau of Accuracy and Fair Play at his New York World in 1913. According to a 1916 issue of American Magazine, Pulitzer had become concerned about the increasing blurriness between "that which is true and that which is false" in the paper. He had reason for concern. One of the questionable practices uncovered by the bureau's first director, Isaac D. White, was the routine embellishment of stories about shipwrecks with fictional reports about the rescue of a ship's cat. After asking the maritime reporter why a cat had been rescued in each of a half-dozen accounts of shipwrecks, White was told, "One of those wrecked ships had a cat, and the crew went back to save it. I made the cat the feature of my story, while the other reporters failed to mention the cat, and were called down by their city editors for being beaten. The next time there was a shipwreck there was no cat but the other ship news reporters did not wish to take chances, and put the cat in. I wrote the report, leaving out the cat, and then I was severely chided for being beaten. Now when there is a shipwreck all of us always put in a cat." --Cassandra Tate --What do ombudsmen do? (Organization of News Ombudsmen)

When he was editor of a daily newspaper in 1964, "nearly 90 percent of the households in that town subscribed to the paper, and people would get up in the morning and read it," Mr. Lavine says. With one radio station and one television station nearby, he says, "there were only three places you could go to find out whether the world had survived overnight. We assumed that what we were doing was right because everyone turned to us."

But those days are gone. Now journalists must understand what their audiences are interested in, as well as the best way to grab their attention. The dean believes that Medill is uniquely poised to straddle the line between journalism and marketing since it consists of both a school of journalism and a program in integrated marketing communications. --Katherine Mangan --Journalism Dean at Northwestern U. Develops Curriculum With Increased Emphasis on Multimedia and Marketing (Chronicle of Higher Education (subscription))

It should be a great moment for the publishing industry, which for years has been limping along with flat sales. But amid this avalanche of commerce and pre-publication hype, the book business is ruefully taking note of a startling incongruity: Very few U.S. booksellers will be making big money from "Harry Potter and the Deathly Hallows." --Josh Getlin and Martha Groves --Harry Potter and the diminished returns (CalendarLive.com | LA Times)

Confusing ''b'' and ''d'' (Jerz's Literacy Weblog)

Hold your hands like this, and imagine an "e" in between them, and you've got the word "bed".

My five-year-old daughter was having so much trouble telling the difference between her ''b'' and ''d'' that my wife urged me to look up dyslexia on the internet. Along the way, I came across several sites selling stickers or posters showing the word "bed" superimposed over the image of a bed, but Carolyn's thumbs worked just fine for her. When she's guessing, I sometimes have to remind her to "do the thumbs," but she often does it on her own.

We're still working on getting her 5s and 3s to face the right way, but the b and d problem seems to be solved.

But before I can suggest what one might learn from reading a good novel, they pop the question about The Boy Who Lived: "How do you like 'Harry Potter'?"

Of course, it's not really a question anymore, is it? In the current state of Potter mania, it's an invitation to recite the loyalty oath. And you'd better answer correctly. Start carrying on like Moaning Myrtle about the repetitive plots, the static characters, the pedestrian prose, the wit-free tone, the derivative themes, and you'll wish you had your invisibility cloak handy. Besides, from anyone who hasn't sold the 325 million copies that Rowling has, such complaints smack of Bertie Bott's beans, sour-grapes flavor.

Shouldn't we just enjoy the $4 billion party?

[...]

Through a marvel of modern publishing, advertising and distribution, millions of people will receive or buy "The Deathly Hallows" on a single day. There's something thrilling about that sort of unity, except that it has almost nothing to do with the unique pleasures of reading a novel: that increasingly rare opportunity to step out of sync with the world, to experience something intimate and private, the sense that you and an author are conspiring for a few hours to experience a place by yourselves -- without a movie version or a set of action figures. Through no fault of Rowling's, Potter mania nonetheless trains children and adults to expect the roar of the coliseum, a mass-media experience that no other novel can possibly provide. --Ron Charles --Harry Potter and the Death of Reading (Washington Post (will expire))

I have sampled the books, but as much as I enjoy the setting and the characters, I find nothing on any given page that stands out to me as being good writing.

My nine-year-old is reading the books on his own.

Taylor Mali Poetry Slams (''What Do Teachers Really Make?'' and ''The Impotence of Proofreading'')YouTube)

Wow. I needed that.

The summer's more than half over, and I've got to start focusing on getting things off of my summer "to-do" list.

--Bull Run Victim Photo -- Editing QuibblesYahoo | AP (will expire))

No, Lenahan lies on a hospital bed.

The redundancy of "as shows" and "showing" and "he was gored" and "were gored" also bothers me. And the inconsistency doesn't do much for me, either. The same caption refers to "traditional bullrun" and "morning bull run," and a little later also says "the bulls horn entered beneath his skin."

It's impossible to remove all such mistakes from a stream of copy that goes out around the world, but so many mistakes in one caption suggests something other than carelessness. Where was the editor?

Something about that smug little grin tells me that Mr. Lenahan is unlikely to care.

On a balmy morning in June, Rebecca Miller, a petite 26-year-old actress and Brown University graduate, was perched on a wooden bench in the East Village, just a block from the apartment she shares with her fiancé, a theater director, and two cats. By the looks of her outfit, she was firmly grounded in the 21st century, just another hip lass with loose curls, a scoop-necked top and denim skirt with naughty front slits.

Then she opened her mouth, and it was if one had been transported back--oh, 150 years or so. --Lizzy Ratner --The New Victorians (New York Observer)

Yes, as we all know, the Victorians held unmarried cohabiting theatre people in the highest social esteem.

An article about neo-Victorians that doesn't refer to The Diamond Age, the Goth aesthetic, or SteamPunk? Tosh!

This article takes a rather thin concept and stretches it rather unimpressively.

[Update: when I mentioned this article, and Miller's function as an example, my wife said "150 years ago, she would have been the daughter who humiliated her family and ruined all of her sisters' chance of respectable marriages."]

"You know, they're not that bad, but they were meant to be private. And it is making me feel very vulnerable that the entire country has to see them now because of this situation." --Miss N.J. releases blackmail photos (MSNBC)

Amy Polumbo, the 22-year-old Miss New Jersey, says she had put the photos on a password-protected area of her Facebook profile. The photos, as described in this article, sound pretty tame compared to the kinds of paparazzi photos that routinely show up on celebrity websites, but once again we have an example of a young person who didn't think of the consequences of her actions.

Note the way the reporter creates contrast by juxtaposing the description of a suggestive photo, snapped in what seems to be a public place (and posted onto a website), with Polumbo's rather naive expectation of privacy:

One shows a smiling Polumbo with a man she identified as her boyfriend, his open mouth over her left breast. Polumbo is fully clothed in the photo, which appeared to be snapped at a nightclub.

"This was meant to be private," Polumbo said.

The mission stencil story is an interactive, choose-your-own-adventure story that takes place on the sidewalks of the Mission district in San Francisco. It is told in a new medium of storytelling that uses spraypainted stencils connected to each other by arrows. The streetscape is used as sort of an illustration to accompany each piece of text. --Sidewalk stencil choose-your-own-adventure (Flickr)

Very cool concept.

--Lego White and Nerdy (YouTube)

Weird Al's awesome "White and Nerdy" has spawned not just one but several different Lego versions (of various quality levels).

Born July 24, 1914, Mirvish took over his father's grocery store at 15 and eventually came to amass an enterprise that includes Mirvish Village, the Princess of Wales Theatre, the Royal Alexandra Theatre and the Old Vic Theatre in London. --Entrepreneur and theatre impresario Mirvish dead at 92 (Canada.com)

Honest Ed's was a Toronto landmark, well worth the walk from the University of Toronto. His store was tackier than the Canadian side of Niagara Falls, but he invested hugely in the local theatre district, and had a self-deprecating "regular guy" image.

We thought our "Pimp my Book Cart" contest was a funny idea that would spawn a dozen or so entries. But it seemed to spark something, and we started hearing from folks all over the country. It even spawned a "Pimp my Book Trolley" contest Down Under in Australia (we're judging that one too).

Still, by last week we figured all the fuss had been just that, and that it was still going to be just a few contenders. But then a few days before the deadline, in a display of procrastination that impressed Bill, they started pouring in. We ended up getting over 100. --Pimp My Bookcart Contest Winners (Unshelved)

Sites like the Blake archive mark an important point of departure from expensive clothbound volumes available in university libraries -- and unique items in private collections -- to high-resolution facsimiles freely available to anyone with Internet access. Even the nonspecialist (like me) can easily spend hours appreciating Blake's aesthetic achievement beyond reading the unadorned transcriptions of his poems one might find in an anthology.

The editors have performed a great service for the general public, but what about the exacting standards of literary scholarship? Does the Blake archive meet the expectations of professionals?

[...]

Yes, young scholars, you may cite the Blake archive. --"Thomas H. Benton --Authoritative Online Editions (Chronicle of Higher Education)

W. R. Hearst, New York Journal, N.Y.: "Everything is quiet. There is no trouble here. There will be no war. I wish to return. "Remington."

"Remington, Havana: "Please remain. You furnish the pictures, and I'll furnish the war. "W. R. Hearst." --Not likely sent: The Remington-Hearst ''telegrams'' (W. Joseph Campbell, PhD | Journalism and Mass Communication Quarterly)

Campbell deconstructs this oft-quoted but thinly sourced anecdote about the power of yellow journalism.

I had previously blogged the same author's analysis of the "Yes, Virginia, there is a Santa Claus" story (which survives mostly intact).

RUR Cats (Jerz's Literacy Weblog)

My first (and probably only) contribution to the LOLCats meme.

In the 1920s, the Czech play R.U.R. (Rossum's Universal Robots) introduced the world to a word that quickly displaced older terms such as "automaton."

As author Karel Capek was working out the plot, he fretted that calling them "labori" would be too stuffy. His brother Josef, a cubist painter and author, muttered, "Then call them Robots," drawing on a Czech word meaning "menial labor" or "servitude."

The illustration is from a Josef Capek's children's book, A Doggie and a Pussycat: How They Wrote a Letter.

Okay, that was pretty obscure, but now I can get on with my life.

It feels somewhat ungrateful to complain in today's television environment, with so many well-written, superbly acted shows available, that the screen is destroying the page. But it's true, especially if you pause to consider that reading fiction is something that requires time, time away from a screen. More and more, though, Americans don't have the time to think, let alone to read. They are working harder and less efficiently than ever (and in many cases, for less money than ever). In this environment, there is no better delivery system than the image for themes which transport - because that's how our eyes work the rest of the day. The Sopranos does the imagining; our eyes need only follow.

And so we return to the central question: why is this television show referred to by so many literate viewers as a novel? --Has the novel been murdered by the mob? (Guardian Unlimited)

The last TV show I actually followed was Babylon 5, which ended in 1998, so all I know about The Sopranos is what I pick up from articles like this.

We prefer to take the money we would have spent on Cable TV and use it to buy DVDs that we really want to watch. Also, family members will sometimes fill up a videotape with shows like Zaboomafoo and Between the Lions, and the kids will watch them over and over. So we actually have a pretty big library of videos for the kids to choose.

My five-year-old is used to waking up at about 8am for a "show, drink, and a snack," and I typically include something fun-but-educational in the list of three or four suggestions I make when I let her choose what she wants to watch. Then, typically I will fall back asleep on the couch with her, or I might get my laptop out and check my e-mail. My nine-year-old son will often wake up before the movie is over, and usually they will start playing together when the movie is over. For one of his three daily lessons (7 days a week, year round, though we will count a family trip to a local historical site or ordinary kid stuff like piano lessons or swim classes), Peter will sometimes watch a documentary or a move set during the time period he's studying.

So I'm not pretending that the television set is not a part of my life. My wife does watch TV news on a regular basis, and she enjoys some of the late night talk shows, but I'm usually putting the kids to bed and sometimes falling asleep on the floor after reading the good-night story. We've been trying to find a good evening to watch Time Bandits together as a family, and I'm looking forward to that.

But right now, my five-year-old daughter has just finished writing a poem about snow, and I'm off to help her cut paper snowflakes. If I can find an index card, I'm going to cut a hole in it that's big enough for my children to crawl through.

The Goldmans own the copyright, media rights and movie rights. They also acquired Simpson's name, likeness, life story and right of publicity in connection with the book, according to court documents.

The Goldmans want to rename the book "Confessions of a Double Murderer" and plan to shop it around, Cook said. --Victim's family buys rights to O.J. Simpson book (CNN | AP)

An interesting twist in the story. This is the book that had been titled If I Did It.

And yet, outside the anthologies and beyond the campus, these outlooks have influenced public policy at the highest levels. Their endurance in public life is a rebuke to the humanities reading list, and it recasts the putative sophistication of the curriculum into its opposite: campus parochialism. The damage it does to humanities students can last a lifetime, and I've run into far too many intelligent and active colleagues who can rattle off phrases from "What Is an Author?" and Gender Trouble, but who stare blankly at the mention of The Public Interest and A Nation at Risk.

This is a one-sided education, and the reading list needs to expand. To that end, here are a few texts to add to this fall's syllabus. They reflect a mixture of liberal, libertarian, conservative, and neoconservative positions, and they serve an essential purpose: to broaden humanistic training and introduce students to the full range of commentary on cultural values and experience. --Mark Bauerlein --An Anti-Progressive Syllabus (Inside Higher Ed)

Just filing this for future reference. I taught a lit-crit class for the first time last term. It was organized around a core of four or five literary texts that we kept reading and re-reading under different critical lenses, so there wasn't much room in the course for a free-floating political diatribe that was unconnected to primary reading. I did add "Tradition and the Individual Talent," which wasn't in the anthology, but is on Bauerlein's list.

As a journalism teacher I have a professional interest in objectivity, so it was natural for me to seek an anthology that was organized with contrast and multiple perspectives in mind, rather than one that promoted institutional branding. Still, that course was already fairly intense...

We are starting up a new "Writing about Literature" course, which is for all English majors (lit, creative writing, and new media journalism), so it makes sense to offer a very broad range of ideas in that course, while I taught the "Literary Criticism" course in order to prepare students to deal with criticism in grad school.

While the Internet still retains some of the "wild wild west" feel, increasingly Internet activity, and particular blogging, is being shaped and governed by state and federal laws. For US bloggers in particular, blogging has become a veritable land mine of potential legal issues, and the situation isn't helped by the fact that the law in this area is constantly in flux. In this article we highlight twelve of the most important US laws when it comes to blogging and provide some simple and straightforward tips for safely navigating them. --12 Important U.S. Laws Every Blogger Needs to Know (Aviva Directory)

Via Steven Krause.

I won't be stuck standardizing verb tenses in business documents my whole life. One day, I will copyedit the Great American Novel.

"Sure," you say, "along with every other detail-oriented grammarian in the country." Yes, I know how many idealistic young people dream of taking a manuscript that captures the spirit of 21st-century America and removing all of its grammatical and semantic errors. But how many of them know to omit the word "bear" when referring to koalas? How many know to change "pompom" to "pompon"? --Someday, I Will Copyedit The Great American Novel (The Onion (Satire))