Humanities: October 2007 Archive Page

This quote from a Gizmodo interview caught my attention.

There is considerable attention given to John Wilkes Booth as the central figure in the majority of the artworks. For instance, I have been rewriting the code (story line) for the interactive fiction game 'Adventure!' to include Booth as the lead antagonist.

....he looks through the kitchen window and exclaims, "Woah! Those leaves are falling onto the trampoline like Confederate shells on Ft. Sumter in 1861!"

(Some context... he hates the fact that leaves get inside the trampoline net, and will furiously throw them out one at a time, guarding the perimeter when he is outside playing.)

Bill "Calvin and Hobbes" Watterson reviews the new Charles "Peanuts" Schultz biography in the Wall Street Journal.

Lucy, for all her domineering and insensitivity, is ultimately a tragic, vulnerable figure in her pursuit of Schroeder. Schroeder's commitment to Beethoven makes her love irrelevant to his life. Schroeder is oblivious not only to her attentions but also to the fact that his musical genius is performed on a child's toy (not unlike a serious artist drawing a comic strip). Schroeder's fanaticism is ludicrous, and Lucy's love is wasted. Schulz illustrates the conflict in his life, not in a self-justifying or vengeful manner but with a larger human understanding that implicates himself in the sad comedy. I think that's a wonderfully sane way to process a hurtful world. Of course, his readers connected to precisely this emotional depth in the strip, without ever knowing the intimate sources of certain themes. Whatever his failings as a person, Schulz's cartoons had real heart.

The New Yorker has an article about a bookstore that supplies custom-made libraries for purchase or, for comercial displays and movie sets, rental.

Although prop books are meant to be seen and not read, they have to evoke a mise en scène, inside and out. For Indiana Jones, the filmmakers specified that the books cover such topics as paleontology, marine biology, and pre-Columbian society. They had to be in muted colors and predate 1957. "People have gotten so character-specific nowadays," Jenny McKibben, a manager at the store, said. "It can't just be color anymore. With high-def, they can just freeze the film and say, 'Oh, that's so inappropriate.' "