Books: November 2007 Archive Page

Gamers with Jobs reviews Amazon's Kindle.

Now that Jess has finished vampire romance novel number 324, I spend some quality time goofing around with the Kindle. It's surprisingly easy to get non-Amazon material on it. I just plug it in to the USB cable which perpetually hangs off the back of my laptop, and it shows up as a hard drive. I drop .txt and .mobi files into the "Book" folder and they show up. I convert a handful of PDFs to .mobi files using Mobi Creator and they work perfect, Tables of Contents and all. Sweet.

Earlier I blogged about the skeptical reviews on Amazon's site, but the knowledge that I can read student papers or classic literature on this thing makes me much happier. The price is too much for me, though...

While the second-most-common rating that Amazon customers have given this product is five stars, some 40% have given the Kindle one star.  The vast majority have not purchased the product, but are simply warning other would-be customers about bad experiences with previous e-book purchases, including e-books purchased from Amazon.

I still want one...

Via Newsweek:

It is a more reliable storage device than a hard disk drive, and it sports a killer user interface. (No instruction manual or "For Dummies" guide needed.) And, it is instant-on and requires no batteries. Many people think it is so perfect an invention that it can't be improved upon, and react with indignation at any implication to the contrary.

"The book," says Jeff Bezos, 43, the CEO of Internet commerce giant Amazon.com, "just turns out to be an incredible device." Then he uncorks one of his trademark laughs.

Books have been very good to Jeff Bezos. When he sought to make his mark in the nascent days of the Web, he chose to open an online store for books, a decision that led to billionaire status for him, dotcom glory for his company and countless hours wasted by authors checking their Amazon sales ratings. But as much as Bezos loves books professionally and personally--he's a big reader, and his wife is a novelist--he also understands that the surge of technology will engulf all media. "Books are the last bastion of analog," he says, in a conference room overlooking the Seattle skyline. We're in the former VA hospital that is the physical headquarters for the world's largest virtual store. "Music and video have been digital for a long time, and short-form reading has been digitized, beginning with the early Web. But long-form reading really hasn't." Yet. This week Bezos is releasing the Amazon Kindle, an electronic device that he hopes will leapfrog over previous attempts at e-readers and become the turning point in a transformation toward Book 2.0.

Inside Higher Ed has an interview with Christine L. Borgman

The scholarly communication system has evolved over a period of centuries -- it doesn't shift quickly. Scholarly journals still look a lot like they did in the 17th century, for example. The tenure system is a much stronger driver of scholarly infrastructure than is technology. Scholars are rewarded for publishing journal articles and books, in the right places. They are not rewarded for good data management, except in a very few fields. Rewards for open access publishing are indirect, such as more citations, and recognition of these benefits has been slow to emerge.

Scott McLemee writes about an intellectual brownout that came to him during a party, when he was asked to comment on a book he knew well.

People who consume two or three books a month, for example, might be less susceptible to moments of total overload than those who read two or three a week. Some situations require learning to handle texts like a meat packer carving up pigs on an assembly line. Certain skills are involved, and they are good skills to have. You can learn to wield the blade with some precision without losing a finger. But efficiency counts, because there's always another pig coming at you.

Anthony Grafton, in The New Yorker

The hype and rhetoric make it hard to grasp what Google and Microsoft and their partner libraries are actually doing. We have clearly reached a new point in the history of text production. On many fronts, traditional periodicals and books are making way for blogs and other electronic formats. But magazines and books still sell a lot of copies. The rush to digitize the written record is one of a number of critical moments in the long saga of our drive to accumulate, store, and retrieve information efficiently. It will result not in the infotopia that the prophets conjure up but in one in a long series of new information ecologies, all of them challenging, in which readers, writers, and producers of text have learned to survive.

Kate Luce Angell writes an entertaining feature on my next-door officemate and his work in Seton Hill's Writing Popular Fiction MA program.

Award-winning author and Seton Hill University professor Michael Arnzen demonstrates that in horror, as in life, it's often the little things that matter most.

Take his short-short piece "Nightmare Job #3," which begins "Wanted: Town Sewage Treatment is now hiring expert diver."

It's only 100 words, so brief you could almost miss the part where he adds that job benefits include "free diving suit with harpoon gun."

[...]

Part of Mr. Arnzen's success has been the result of his use of new technology to distribute his work. He came up with the mini-poems he calls "gorelets" as a literary form that could be downloaded and read easily on the screen of a computer or personal digital assistant.

"I'm interested in potent nuggets of narrative, and horror has always been a shorter genre," he said. "Look at Edgar Allen Poe's stories and poems."

The little things also loom large in the subjects of his work, in which he finds the frightening in minutely observed, everyday details, like a janitor's glove (or IS it a glove?) and a pair of too-real bunny slippers.

"I'd like to think I'm doing the same thing comedians are, exploring our hypocrisies through observational humor," he said, adding that horror is often funny as well as fear-inducing. "I crack myself up all the time when I'm writing."