Aesthetics: September 2008 Archive Page
Paleo-Future: robots
Try as it might the robot could not make its desired turn. Its little broken wheel jerked and jumped, but to no avail. Malorie then started crying uncontrollably, quietly pleading, "Why won't someone help that robot! All he wants to do is pick up the ball and put it in the middle so that he can get some points!"
This may be an extreme example, but it illustrates our ability to anthropomorphize robots.
The Corpus Clock & Chronophage
Renowned scientist Stephen Hawking is going to unveil a remarkable clock that has no hands and shows time with the help of light. Known as the Corpus Clock, the machine has been invented by and designed by Dr John Taylor for Corpus Christi College Cambridge for the exterior of the college's new library building. The Clock will be unveiled on 19th September by Stephen Hawking, cosmologist and author of the global bestseller, A Brief History of Time. Dr Taylor, an inventor and horologist, has put 500,000 pounds of his own money and seven years into developing the clock, which has been inspired from a design by a clock made by the legendary John Harrison, the pioneer of longitude. Of John Harrison's many innovations, he came up with the 'grasshopper escapement, explained Dr Taylor, referring to the device used by Harrison to turn rotational motion into a pendulum motion for timekeeping. No one knows how a grasshopper escapement works, so I decided to turn the clock inside out and, instead of making the escapement 35 mm across, it is 1.5 m across, he said.
Crazy song
Takes just a tad too long to get started -- give it about 45 seconds before you decide to bail out. You'll be hooked by the second time you see the flip-flops. Via.
"Ah-ah-ah ooh, ah-ah, ah-ah-ah-ah ooh!" I'll be humming it all week.
Not The User's Fault
The Synonym Problem (See also Jono DiCarlo's "These Things I Believe" -- a humanist manifesto about computer code.)

See the Show!
Watch legendary comedian Frank Bush in a vaudeville performance from a variety of perspectives in the theater, from the most expensive boxes to the cheapest balcony seats. Compare the reactions of different spectators and even experience the act through the eyes of the performer. Switch between any of eight perspectives at any time and read the extensive hypermedia notes to gain a richer understanding of the performance in its historical context.
High Chance of Blowhards
TV correspondents bellowing while taking facefuls of driving rain? Got it. Reporters hunched and squinting in the teeth of hurricane-force winds? Got that, too. Reporters dressed in the standard uniform of the intrepid weather correspondent -- colorful-but-flimsy network-logo jacket and ball cap -- to dramatize the effects of the driving rain and hurricane-force winds? Oh, yeah, got that, too.
It's not enough to report on a storm by showing TV viewers its impact. Dramatic as it is, the standard B-roll footage of pounding surf, wind-whipped palm trees and mangled power lines serves as a mere palate-cleanser. On storm stories, TV reporters are required to interact with the weather and become, potentially, human sacrifices to it.
This makes weather reporting different than every other kind of breaking TV news story. No one covers a house fire by rushing into the burning building, or reports on a war by doing stand-ups in the middle of a tank battle.
With the weather, however, participation is mandatory. -- Paul Farhi, The Washington Post
