History: September 2008 Archive Page
September 28, 2008
Paleo-Future: robots
This is from the robots category of Paleo-Future, which also has categories devoted to picturephones, jetpacks, and each decade's collected futurism (that is, see what our future looked like to people writing in the 1880s, the 1930s, or the 1980s).
Try as it might the robot could not make its desired turn. Its little broken wheel jerked and jumped, but to no avail. Malorie then started crying uncontrollably, quietly pleading, "Why won't someone help that robot! All he wants to do is pick up the ball and put it in the middle so that he can get some points!"
This may be an extreme example, but it illustrates our ability to anthropomorphize robots.
Categories:
Aesthetics
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Cyberculture
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Design
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History
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Modding
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Rhetoric
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SciFi
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Science
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Technology
September 17, 2008
My Son Knows How To Make Me Proud
Peter (age 10, having just read another book on the Civil War): Daddy, what do you know about William TECK-um-suh Sherman?
Me: Te-CUM-suh. Not much. Other than during the Civil War, he lead a march to the sea that split the Confederacy into north and south sections, which pretty much led to the end of the Civil War.
Peter: (disappointed) Daddy, It was more like east and west.
Me: Northeast and southwest? (I take a bite of dinner.)
Peter: It just gets preciser and preciser. (Quickly, before I can say anything.) Except for my grammar.
Me: (After swallowing) Peter, did I tell you today that I love you?
(I go into the next room and start typing.)
Peter: Are you blogging this?
Me: Yes.
Peter: Make sure you cite your sources!
Me: Te-CUM-suh. Not much. Other than during the Civil War, he lead a march to the sea that split the Confederacy into north and south sections, which pretty much led to the end of the Civil War.
Peter: (disappointed) Daddy, It was more like east and west.
Me: Northeast and southwest? (I take a bite of dinner.)
Peter: It just gets preciser and preciser. (Quickly, before I can say anything.) Except for my grammar.
Me: (After swallowing) Peter, did I tell you today that I love you?
(I go into the next room and start typing.)
Peter: Are you blogging this?
Me: Yes.
Peter: Make sure you cite your sources!
September 17, 2008
Selber's neophytic digital rhetorical literacy
A random observation that floored me, reminding me just how different today's Internet is from the trusty, dusty, crusty home PCs on which I first learned the command-line interface.
Today's front page of The New York Times is over 129 kilobytes of code alone, with another 461 KB of supporting code, give or take. That's over a third of a floppy. Oh noes! (crd704ige)
Categories:
Cyberculture
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History
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Journalism
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Media
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Technology
September 9, 2008
Google raising newspaper morgues from the dead
Great news for those interested in the first draft of history. (Not-so-great news for those worried about Google's increasing control over so many kinds of information.) C|Net
Google is making searchable, digital copies of old newspapers available online through partnerships with their publishers, the company said Monday.
Under the ad-supported effort, Google will digitize millions of pages of news archives, including photos, articles, headlines, and advertisements, Google said.
Categories:
Current_Events
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Cyberculture
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History
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Journalism
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Media
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Technology
September 7, 2008
Braunstein, the world's first role-playing game
Most gamers have never heard of Braunstein. Sad but true. In the hierarchy of self-awareness you'll find the circle of gamers who know what D&D is (a very, very large circle), then inside of that is the circle of gamers who know what Greyhawk is (large but smaller), and inside that the circle who knows what Blackmoor is (smaller still). And then in the very center, vanishingly small, are the people who've heard of Braunstein. Which is a pity, because Braunstein is the granddaddy of them all. (Metafilter)
September 5, 2008
See the Show!
Great use of 3D technology to enable the study of an historic art form. Virtual Vaudeville:
Watch legendary comedian Frank Bush in a vaudeville performance from a variety of perspectives in the theater, from the most expensive boxes to the cheapest balcony seats. Compare the reactions of different spectators and even experience the act through the eyes of the performer. Switch between any of eight perspectives at any time and read the extensive hypermedia notes to gain a richer understanding of the performance in its historical context.
Categories:
Aesthetics
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Culture
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Cyberculture
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Design
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Drama
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History
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Media
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Technology
