Now I break the files up into chapters, and convert them into separate
audio files. TextAloud has a file-splitting utility and a way to deal
with multiple texts at once; the extra 10 minutes of fussing with the
file divisions is well worth the effort. The shortest chapters take
only a few minutes to hear, while one chapter in The Grapes of Wrath clocked
in at almost two hours.
I set my MP3 player to play one track at a time, so if I'm listening in bed and want another chapter, I just click the button. If I fall asleep, I know exactly where I left off. There are, of course, times when I'd prefer to fall asleep with my own thoughts, but if I get insomnia, now I feel I can put that time to good use.
I own copies of all the books that are still protected by copyright, and I don't plan to publish the MP3s of any of the copyrighted books.
It takes me about 5-10 minutes to prepare a plain vanilla text so that my text-to-speech program can produce the MP3s, and it takes a half hour or so for my new laptop to churn out the MP3s. Often at night I will set up a new text, and it's ready for me to load into my MP3 player the next morning.
The computer voice isn't great, and of course it's fairly monotonous, but I'm so used to that voice now that I don't actually hear it anymore -- I listen right through it, you might say. I don't really want to listen to a talented voice actor putting a creative interpretation on the words. I actually prefer a mechanical monotone, since it's far easier for me to overlay my own interpretation of the words.
I have also used the text-to-speech software to listen to drafts of my own articles and conference presentations, and administrative reports. (There's nothing like pulling weeds while listening to complaints about campus parking.)
I have gone for walks while listening to academic articles and dissertations, student independent study projects or paper drafts (not when I'm evaluating it for a grade, only when I'm giving feedback on a draft in progress), and the source code for Colossal Cave Adventure.
Here's a list of the books that I've listened to in the past year or so, while commuting or in the grocery store or working on my lawn or folding the laundry or sitting in a waiting room. Most I have read before, and I chose to listen to them in order to de-familiarize myself with them, and try to capture a little of what my students might have felt, reading them for the first time:
I set my MP3 player to play one track at a time, so if I'm listening in bed and want another chapter, I just click the button. If I fall asleep, I know exactly where I left off. There are, of course, times when I'd prefer to fall asleep with my own thoughts, but if I get insomnia, now I feel I can put that time to good use.
I own copies of all the books that are still protected by copyright, and I don't plan to publish the MP3s of any of the copyrighted books.
It takes me about 5-10 minutes to prepare a plain vanilla text so that my text-to-speech program can produce the MP3s, and it takes a half hour or so for my new laptop to churn out the MP3s. Often at night I will set up a new text, and it's ready for me to load into my MP3 player the next morning.
The computer voice isn't great, and of course it's fairly monotonous, but I'm so used to that voice now that I don't actually hear it anymore -- I listen right through it, you might say. I don't really want to listen to a talented voice actor putting a creative interpretation on the words. I actually prefer a mechanical monotone, since it's far easier for me to overlay my own interpretation of the words.
I have also used the text-to-speech software to listen to drafts of my own articles and conference presentations, and administrative reports. (There's nothing like pulling weeds while listening to complaints about campus parking.)
I have gone for walks while listening to academic articles and dissertations, student independent study projects or paper drafts (not when I'm evaluating it for a grade, only when I'm giving feedback on a draft in progress), and the source code for Colossal Cave Adventure.
Here's a list of the books that I've listened to in the past year or so, while commuting or in the grocery store or working on my lawn or folding the laundry or sitting in a waiting room. Most I have read before, and I chose to listen to them in order to de-familiarize myself with them, and try to capture a little of what my students might have felt, reading them for the first time:
- Jane Eyre (Charlotte Brontë)
- The Invisible Man (Ralph Ellison)
- The Great Gatsby (F. Scott Fitzgerald)
- The Grapes of Wrath (John Steinbeck)
- Benito Cereno (Herman Mellville)
- Down and Out in the Magic Kingdom (Cory Doctorow)
- 1984 (George Orwell)
- A Christmas Carol (Charles Dickens)
- Little Brother (Cory Doctorow)
- Moby Dick (Herman Mellville)
- 20,000 Leagues Under the Sea (Jules Verne)
- My Tiny Life (Juiian Dibbell)
- Babbitt (Sinclair Lewis)
- All the full-length Edgar Rice Burroughs novels about Mars.
- A Princess of Mars (1917)
- The Gods of Mars (1918)
- The Warlord of Mars (1919)
- Thuvia, Maid of Mars (1920)
- The Chessmen of Mars (1922)
- The Master Mind of Mars (1928)
- A Fighting Man of Mars (1931)
- Swords of Mars (1936)
- Synthetic Men of Mars (1940)
- Llana of Gathol (1948)
- Dracula (Bram Stoker) (about halfway through)
The mechanical sounding voices of most text-to-speech services also annoye me. If you're looking for a variety of voices, I suggest VoiceForge powered by Cepstral. VoiceForge offers up to 60 different voices, making it easy to choose a voice appropriate to the book OR your present mood.