Douglas McLennan (Arts Journal):
Newspapers have not traditionally been mass market. In fact they were the classic niche subsidy model. The genius of newspapers was that they aggregated lots of mini-content – comics, bridge columns, stock tables, crossword puzzles, the arts, business, sports – and built enough of a combined audience to subsidize the content that otherwise would not have paid for itself.
I don’t know a single journalist who got in the business because they wanted to make sure Garfield or Dear Abby got delivered every day, but the fact is that the content that journalists think counts most – coverage of city hall, foreign reporting, investigations – does not have a big enough audience to pay for itself on its own.
Yet somewhere along the way, this idea of niche aggregation slipped away from the local paper and was replaced by the sense that every story ought to be comprehensible by every reader. The problem: in a culture that increasingly offers more and more choice and allows people to get more precisely what they want, when they want, and how they want it, a generalized product that doesn’t specifically satisfy anyone finds its audience erode away. The more general, the more broad, the more “mass culture” a newspaper tries to become, the faster its readers look elsewhere.