I wasted too much of my childhood and youth imitating and developing the superb production sketches of Ron Cobb, Syd Mead, Ralph McQuarrie and many others. I walked round Elstree studios collecting precious vacuum-formed sections of cloud-city corridor from The Empire Strikes Back, some months after principal photography stopped. I had reams of sci-fi corridors worked out.
Corridors make science-fiction believable, because they’re so utilitarian by nature – really they’re just a conduit to get from one (often overblown) set to another. So if any thought or love is put into one, if the production designer is smart enough to realise that corridors are the foundation on which larger sets are ‘sold’ to viewers, movie magic is close at hand. —Den of Geek
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