Perspective | After a stunning news conference, there’s a newly crucial job for the American press

I have always taken a neutral stance in my journalism classes, modeling the objective nature of reporting the news “without fear or favor.” I shall continue to uphold reporting designed to publish objective truth, and criticize and expose exaggeration, rumor, wishful thinking, and outright lies presented in the guise of truth.   This fall, I will tell my students that my role as their journalism instructor includes noting that one…

Spring office cleaning thoughts: 1) I used to print a lot. 2) I have enough tote bags.

I used to print a lot. I have enough tote bags. I found more stuff for my box of once-loved tools. It felt so good throwing away all the papers having to do with that one thing. If spiders had to crawl into one box and die, I can forgive them for choosing that other box. I used to spend a lot of time teaching students who were comfortable with…

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Bill Murray Admits A Painting Saved His Life

During a February press conference in London, where Murray was promoting “The Monuments Men,” he said: “I thought, ‘Well there’s a girl who doesn’t have a whole lot of prospects, but the sun’s coming up anyway and she’s got another chance at it.’ So I think that gave me some sort of feeling that I too am a person and I get another chance everyday the sun comes up.”

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Superman Comic about Sympathy and Hope

Just in case someone out there could use it, here’s a powerful comic that emphasizes the power of sympathy (written by J. Michael Straczynski, creator of my second favorite TV show). No sunshine and rainbows, no victim-blaming, no finger-pointing — just humane compassion. (Be kind, for everyone you meet is fighting a hard battle.) Superman on sympathy and hope

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What About “The Breakfast Club”?

I made three movies with John Hughes; when they were released, they made enough of a cultural impact to land me on the cover of Time magazine and to get Hughes hailed as a genius. His critical reputation has only grown since he died, in 2009, at the age of fifty-nine. Hughes’s films play constantly on television and are even taught in schools. There is still so much that I love in them, but lately I have felt the need to examine the role that these movies have played in our cultural life: where they came from, and what they might mean now. When my daughter proposed watching “The Breakfast Club” together, I had hesitated, not knowing how she would react: if she would understand the film or if she would even like it. I worried that she would find aspects of it troubling, but I hadn’t anticipated that it would ultimately be most troubling to me. -Molly Ringwald, New Yorker