Steve introduced Susan Gibb as a driving force behind the writing and digital media culture in a small town in Connecticut. (I’m really impressed by what comes from Tuxnis Community College). Susan presented us with the thinking behind the creation of a 300-node creative hypertext work in StorySpace. Susan walked the audience through the process…
Alan Bigelow discusses his art installations featuring the short-form Flash genre. In his introduction, he stated that he doesn’t think that he writes hypertext, and spoke with hope of a future in which new media authors know what terms to apply to their work. The opening screen of his American Ghosts refers to a “webyarn,”…
Steve Ersinghaus started the creative hypertext workshop by playing Changing Key: A “video hyperdrama” by Charles Deemer. In the introduction, Deemer notes that the audience in a play is passive, and conjures up the idea of a family Thanksgiving in which multiple groups interact in multiple rooms, with the audience inserted into the drama like…
At Hypertextopia. I found an interesting, but incomplete and unsigned (update — according to some mouseover text, it’s by Brian Yearling) hypertext that maps out part of the plot of Death of a Salesman. I was interested in the subject matter, but I’m not sure about what value this particular hypertext arrangement offers. If it…
What is quality in hypertext? How, in other words, do we judge a hypertext collection of documents (or web) to be successful or unsuccessful, to be good or bad as hypertext? How can we judge if a particular hypertext achieves elegance or just mediocrity? Those questions lead to another: what in particular is good about…
What exactly happened to the link-and-node hypertext novel? We don’t have to carry out that much of an investigation to see what‘sgoing on with Flash poetry, or the network novel, or interactive fiction. But what‘sup with the venerable form used by the soi-disant wunderkinder authors of The Unknown, the one in which Victory Garden took…
This bibliography was originally compiled by Scott Stebelman from 1996-2000. Scott, a librarian at Gelman Library at George Washington University from 1986 until 2000, retired recently. The page is currently being updated and enhanced by Dr. Seth Katz and Jim Bonnett at Bradley University in Peoria, Illinois. —Hypertext and Hypermedia: A Select Bibliography (Bradley University) The…
Early, link-heavy blogs were, for the most part, a method of sharing links. They usually contained entries that consisted of one or two hyperlinks, the blogger’s commentary on the link’s content, and a place for other bloggers to make comments about the entry. These early blogs often focused on what <a href=”htttp://www.rebeccaspocket.net/essays/weblog_history.html”>Blood calls “the dissemination…
On the same day she spoke about media panics to my journalism class, Torill Mortensen introduced my “Writing for the Internet” class to hypertext theory. (This is going to be a long post and I’ll probably be too lazy to link everything properly, so see Torill’s online lecture notes, “Hypertext, class and power.”) She began…
“It’s time for a reality check. Hypertext is not, and has never been, all that. Electronic literature is a tiny field and mostly, no one cares about it, except for a handful of endlessly bickering insiders. Maybe 200 people in the world are even marginally interested in the academic arguments….From the outside, though, it looks…
“The link is the basic element of hypertext, and researchers have long recognized that links provide semantic relationships for users. Yet little work has been done to understand the nature of these relationships, particularly in conjunction with the purposes of organizational/informational Web sites. This paper explores the semantic and rhetorical principles underlying link development and…
“In a study of readers who read either a simulated literary hypertext or the same text in linear form, we found a range of significant differences: these suggest that hypertext discourages the absorbed and reflective mode that characterizes literary reading.” (Miall and Dobson) —Reading Hypertext and the Experience of Literature (Journal of Digital Information)
Today’s students have many strengths. They are great at collaboration, introspection, and remixing. While my students are very familiar with phone apps, even the English majors who want to be professional writers are not very familiar with the conventions of writing for the World Wide Web. Because their sense of “being online” mostly entails interacting…
Fritz Lang’s Metropolis, the first talkie The Jazz Singer, the songs “Ol Man River” from Showboat and “Puttin’ on the Ritz,” and the novels To the Lighthouse (Virginia Woolf) and The Bridge of San Luis Rey (Thornton Wilder) and the first Hardy Boys novel will (finally) enter the common domain in 2023. I chose my…
Thinking a lot lately about masking and empathy, and my role as educator. Finding the right balance between making people uncomfortable by avoiding eye contact and making people uncomfortable by staring is one of the many unwritten rules I’ve seen autistic people struggle to master. I still mention “eye contact” in my rubric for student…
I’m not a huge fan of Disney, largely because as a grad student in the 1990s, I chose the 1920-1950 time period for my dissertation based on my expectation that the literary works I studied from that time period would fall out of copyright one by one during my career. I planned to mine my…
In April 2000, I was blogging about… HTML frames (who remembers how much they sucked?) The sorry state of web design (AskTog) The future of reading “Rules grammar change: English traditional replace to be new syntax with” (The Onion) Journalism students who don’t read or watch journalism A design critique I published in the innovative…
In February 2000, I was blogging about The 1995 Walter Sorrels hypertext story “The Heist“ The “Instant Muse Poetry Generator“ A London Metropolitan police raid on a Kurdish community theater group rehearsing a Harold Pinter play about the persecution of Kurds The number of active weblogs increasing from 50 to 500 in the past year…
Today one of my students gave a final presentation in the form of a branching hypertext (akin to the “Choose Your Own Adventure” novels). On the opening screen, the voice of the professor welcomes the students to the course, announces a the major term project, and then immediately dismisses the class. During the Q&A afterwards,…
I don’t particularly miss the splash landing pages, rotating animated logos, and “click here” web design of the 1990s. But one of the great things about it was that people experimented, sometimes doing crazy things. Rob LoCascio, who in 1995 “came up with the technology for those chat windows that pop up on websites,” notes…