Hamilton (112-149)
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URL of this page: http://jerz.setonhill.edu/EL150/2008/hamilton_112149.php
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Stephanie Wytovich on Hamilton (112-149): "In many works, the main character has an antagoni
Stephanie Wytovich on Hamilton (112-149): "In many works, the main character has an antagoni
Juliana Cox on Hamilton (112-149): "In a broad sense, an antagonist need not be anoth
Lauren Miller on Hamilton (112-149): "An omniscient third-person narrator can enter the
Deana Kubat on Hamilton (112-149): Do you have the sixth sense? http://blogs.setonhi
Tiffany Gilbert on Hamilton (112-149): http://blogs.setonhill.edu/TiffanyGilbert/2008/03/
Kaitlin Monier on Hamilton (112-149): "The third major point of view is the second-perso
Erica Gearhart on Hamilton (112-149): A flat character, also called a two-dimensional ch
Angelica Guzzo on Hamilton (112-149): “The third person point of view, in contrast, pres
Greta Carroll on Hamilton (112-149): “…the reader may have to guard against the temptat
Stephanie Wytovich on Hamilton (112-149): "In many works, the main character has an antagoni
Juliana Cox on Hamilton (112-149): "In a broad sense, an antagonist need not be anoth
Lauren Miller on Hamilton (112-149): "An omniscient third-person narrator can enter the
Deana Kubat on Hamilton (112-149): Do you have the sixth sense? http://blogs.setonhi
Tiffany Gilbert on Hamilton (112-149): http://blogs.setonhill.edu/TiffanyGilbert/2008/03/
Kaitlin Monier on Hamilton (112-149): "The third major point of view is the second-perso
Erica Gearhart on Hamilton (112-149): A flat character, also called a two-dimensional ch
Angelica Guzzo on Hamilton (112-149): “The third person point of view, in contrast, pres
Greta Carroll on Hamilton (112-149): “…the reader may have to guard against the temptat
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"A flat character, also called a two-dimensional character, is more a type than an individual, and stays essentially the same throughout the work...A round, or three-dimensional, character, in contrast, is multifaceted and subject to change and growth."
http://blogs.setonhill.edu/AngelaPalumbo/2008/03/hamleton.html
"The third major point of view is the second-person, in which the narrator addresses the audience directly using the pronoun 'you', and assumes the audience is experiencing the events along with the narrator." (Hamilton 120)
I've got voices in my head, but they sound a little tinny to me. Anyone got foil so I kin hook up HBO?
Voice: "the narrator of a literary work, of FICTION of POETRY, is the one who tells the story." (Hamilton, pg. 112)
Foil: "a character who contrasts with the PROTAGONIST in ways that bring out certain of his or her moral, emotional, or intellectual qualities."
http://blogs.setonhill.edu/MadelynGillespie/2008/03/my_voices_have_some_pretty_goo.html
"The protagonist [...] is the main character in a work[...]. The events of the work center on him or her" (Hamilton 129).
http://blogs.setonhill.edu/EthanShepley/2008/03/villian.html
"A third kind of role that occurs in many works is that of the foil, a character who contrasts with the protagonist in ways that bring out certain of his or her moral, emotional, or intellectual qualities" (Hamilton 131)
http://blogs.setonhill.edu/AllisonHall/2008/03/making_a_hero_look_even_better.html
“…the reader may have to guard against the temptation to equate the writer with his or her invented speaker. In fact, however, even when there is no clear distinction between the narrator and the character, the narrator remains a quasi-fictional speaker, contrived for the purposes of the particular story” (Hamilton 112).
http://blogs.setonhill.edu/GretaCarroll/2008/03/remember_when_you_travel_to_th.html
“The third person point of view, in contrast, presents a narrator that has a much broader view and, usually, an objective perspective on characters and events.” (Hamilton 114)
http://blogs.setonhill.edu/AngelicaGuzzo/2008/03/third_person.html
A flat character, also called a two-dimensional character, is more a type than an individual, and stays essentially the same throughout the work...A round, or three-dimensional, character, in contrast, is multifaceted and subject to change and growth; he or she is also capable of inconsistencies, and in those ways similar to an actual human being,
Some characters may surprise readers with their three-dimensionality as a work goes on."
-From Sharon Hamilton's Essential Literary Terms page 126
http://blogs.setonhill.edu/EricaGearhart/2008/03/mrs_havisham_isnt_a_round_char.html
"The third major point of view is the second-person, in which the narrator addresses the audience directly using the pronoun 'you,' and assumes that the audience is experiencing the events along with the narrator" (Hamilton 120).
http://blogs.setonhill.edu/KaitlinMonier/2008/03/chose_your_own_scare_in_second.html
http://blogs.setonhill.edu/TiffanyGilbert/2008/03/i_know_more_than_you.html
soliloquiesssssss
Do you have the sixth sense?
http://blogs.setonhill.edu/DeanaKubat/2008/03/keep_it_flowing.html
"An omniscient third-person narrator can enter the consciousness of any character, evaluate motives and explain feelings, and recount the background and predict the outcome of situations" (Hamilton 114).
Lauren predicts that you want to read her blog entry:
http://blogs.setonhill.edu/LaurenMiller/2008/03/hesheitthemwhat_am_i_talking_a.html
"In a broad sense, an antagonist need not be another character. It may be some larger force that challenges the protagonist, such as fate..." (Hamilton 130).
http://blogs.setonhill.edu/JulianaCox/2008/03/antagonist.html
"In many works, the main character has an antagonist, a character that opposes the protagonist's goals and and interest and so creates the major conflict in the work (Hamilton 130)."
Enter if you dare:
http://blogs.setonhill.edu/StephanieWytovich/2008/03/the_antagonist_owns_my_heartbu.html
"In many works, the main character has an antagonist, a character that opposes the protagonist's goals and and interest and so creates the major conflict in the work (Hamilton 130)."
Enter if you dare:
http://blogs.setonhill.edu/StephanieWytovich/2008/03/the_antagonist_owns_my_heartbu.html