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Swann, ''Whodunnit? Or, Who Did What? 'Benito Cereno' and the Politics of Narrative Structure''
In Keesey, Ch 5
Damned Critic: Arnzen versus William Carlos Williams, Part 2Michael A. Arnzen, whether he knows or not, has written a poem in the shadow of "The Red Wheelbarrow" and all those other snappy little wonders Williams used to jot on his perscription pad, whiling away the moments between seeing patients as a baby doctor.
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Sue Myers
Angela Palumbo
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Michelle Tantlinger
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Recent Comments
Quinn Kerno on Paris, ''The Uses of Psychology'': http://blogs.setonhill.edu/QuinnKerno/2009/03/psyc
Quinn Kerno on Paris, ''The Uses of Psychology'': "Fiction lets us know what it is like to be a cert
Dennis G. Jerz on Culler, ''Structuralism and Literature'' (Optional): You folks are free to include this in your blog po
Sue on Hamilton, Essential Literary Terms: A banquet of words http://blogs.setonhill.edu/Sue
Sue on Frye, ''Shakespeare's The Tempest'': "The Tempest is above all a fantasy of innocent re
Sue on Donovan, ''Beyond the Net: Feminist Criticism as a Moral Criticism'': "Women in literature written by men are for the mo
Katie Vann on Swann, ''Whodunnit? Or, Who Did What? 'Benito Cereno' and the Politics of Narrative Structure'': "The function, then, of this myster story is to en
Katie Vann on Frye, ''Shakespeare's The Tempest'': "As often in Shakespeare, the characters in The Te
Katie Vann on Donovan, ''Beyond the Net: Feminist Criticism as a Moral Criticism'': "In other words, women characters in film are usua