The reason most pre-1940 musicals are unrevivable is that their books tend to be both slapdash in literary quality and fanciful to the point of absurdity. It was only in the late 30’s that the songwriting team of Richard Rodgers and Lorenz Hart began to emphasize dramatic plausibility, most notably in Pal Joey (1940). And it was not until Rodgers joined forces with Oscar Hammerstein II in 1943 to write Oklahoma! that the “book show,” whose songs are integrated into a more or less realistic plot, became the norm. —Terry Teachout —Is the Musical Comedy Dead? (Commentary Magazine)
I’d make a comment, but I can hear the pit orchestra is gearing up for a big dance number, so I’d better go.
Another corner building. Designed and textured. Needs an interior. #blender3d #design #aesthetics #medievalyork #mysteryplay
What have my students learned about creative nonfiction writing? During class they are collaborating on…
Two years after the release of ChatGPT, it may not be surprising that creative work…
I both like and hate that Canvas tracks the number of unmarked assignments that await…
The complex geometry on this wedge building took me all weekend. The interior walls still…
My older siblings say they remember our mother sitting them down to watch a new…