III. THE FIRE SERMON
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The river's tent is broken: the last fingers of leaf | -1 | |
Clutch and sink into the wet bank. The wind | 0 | |
Crosses the brown land, unheard. The nymphs are departed. | 1 | |
Sweet Thames, run softly, till I end my song. | 2 | |
The river bears no empty bottles, sandwich papers, | 3 | |
Silk handkerchiefs, cardboard boxes, cigarette ends | 4 | |
Or other testimony of summer nights. The nymphs are departed. | 5 | |
And their friends, the loitering heirs of city directors; | 6 | |
Departed, have left no addresses. | 7 | |
By the waters of Leman I sat down and wept . . . | 8 | |
Sweet Thames, run softly till I end my song, | 9 | |
Sweet Thames, run softly, for I speak not loud or long. | 10 | |
But at my back in a cold blast I hear | 11 | |
The rattle of the bones, and chuckle spread from ear to ear. | 12 | |
A rat crept softly through the vegetation | 13 | |
Dragging its slimy belly on the bank | 14 | |
While I was fishing in the dull canal | 15 | |
On a winter evening round behind the gashouse | 16 | |
Musing upon the king my brother's wreck | 17 | |
And on the king my father's death before him. | 18 | |
White bodies naked on the low damp ground | 19 | |
And bones cast in a little low dry garret, | 20 | |
Rattled by the rat's foot only, year to year. | 21 | |
But at my back from time to time I hear | 22 | |
The sound of horns and motors, which shall bring | 23 | |
Sweeney to Mrs. Porter in the spring. | 24 | |
O the moon shone bright on Mrs. Porter | 25 | |
And on her daughter | 26 | |
They wash their feet in soda water | 27 | |
Et O ces voix d'enfants, chantant dans la coupole!
| 28 | |
Twit twit twit | 29 | |
Jug jug jug jug jug jug | 30 | |
So rudely forc'd. | 31 | |
Tereu
| 32 | |
Unreal City | 33 | |
Under the brown fog of a winter noon | 34 | |
Mr. Eugenides, the Smyrna merchant | 35 | |
Unshaven, with a pocket full of currants | 36 | |
C.i.f. London: documents at sight, | 37 | |
Asked me in demotic French | 38 | |
To luncheon at the Cannon Street Hotel | 39 | |
Followed by a weekend at the Metropole.
| 40 | |
At the violet hour, when the eyes and back | 41 | |
Turn upward from the desk, when the human engine waits | 42 | |
Like a taxi throbbing waiting, | 43 | |
I Tiresias, though blind, throbbing between two lives, | 44 | |
Old man with wrinkled female breasts, can see | 45 | |
At the violet hour, the evening hour that strives | 46 | |
Homeward, and brings the sailor home from sea, | 47 | |
The typist home at teatime, clears her breakfast, lights | 48 | |
Her stove, and lays out food in tins. | 49 | |
Out of the window perilously spread | 50 | |
Her drying combinations touched by the sun's last rays, | 51 | |
On the divan are piled (at night her bed) | 52 | |
Stockings, slippers, camisoles, and stays. | 53 | |
I Tiresias, old man with wrinkled dugs | 54 | |
Perceived the scene, and foretold the rest - | 55 | |
I too awaited the expected guest. | 56 | |
He, the young man carbuncular, arrives, | 57 | |
A small house agent's clerk, with one bold stare, | 58 | |
One of the low on whom assurance sits | 59 | |
As a silk hat on a Bradford millionaire. | 60 | |
The time is now propitious, as he guesses, | 61 | |
The meal is ended, she is bored and tired, | 62 | |
Endeavours to engage her in caresses | 63 | |
Which still are unreproved, if undesired. | 64 | |
Flushed and decided, he assaults at once; | 65 | |
Exploring hands encounter no defence; | 66 | |
His vanity requires no response, | 67 | |
And makes a welcome of indifference. | 68 | |
(And I Tiresias have foresuffered all | 69 | |
Enacted on this same divan or bed; | 70 | |
I who have sat by Thebes below the wall | 71 | |
And walked among the lowest of the dead.) | 72 | |
Bestows one final patronising kiss, | 73 | |
And gropes his way, finding the stairs unlit . . .
| 74 | |
She turns and looks a moment in the glass, | 75 | |
Hardly aware of her departed lover; | 76 | |
Her brain allows one half-formed thought to pass: | 77 | |
"Well now that's done: and I'm glad it's over." | 78 | |
When lovely woman stoops to folly and | 79 | |
Paces about her room again, alone, | 80 | |
She smoothes her hair with automatic hand, | 81 | |
And puts a record on the gramophone.
| 82 | |
"This music crept by me upon the waters" | 83 | |
And along the Strand, up Queen Victoria Street. | 84 | |
O City city, I can sometimes hear | 85 | |
Beside a public bar in Lower Thames Street, | 86 | |
The pleasant whining of a mandoline | 87 | |
And a clatter and a chatter from within | 88 | |
Where fishmen lounge at noon: where the walls | 89 | |
Of Magnus Martyr hold | 90 | |
Inexplicable splendour of Ionian white and gold.
| 91 | |
The river sweats | 92 | |
Oil and tar | 93 | |
The barges drift | 94 | |
With the turning tide | 95 | |
Red sails | 96 | |
Wide | 97 | |
To leeward, swing on the heavy spar. | 98 | |
The barges wash | 99 | |
Drifting logs | 100 | |
Down Greenwich reach | 101 | |
Past the Isle of Dogs. | 102 | |
Weialala leia | 103 | |
Wallala leialala
| 104 | |
Elizabeth and Leicester | 105 | |
Beating oars | 106 | |
The stern was formed | 107 | |
A gilded shell | 108 | |
Red and gold | 109 | |
The brisk swell | 110 | |
Rippled both shores | 111 | |
Southwest wind | 112 | |
Carried down stream | 113 | |
The peal of bells | 114 | |
White towers | 115 | |
Weialala leia | 116 | |
Wallala leialala
| 117 | |
"Trams and dusty trees. | 118 | |
Highbury bore me. Richmond and Kew | 119 | |
Undid me. By Richmond I raised my knees | 120 | |
Supine on the floor of a narrow canoe."
| 121 | |
"My feet are at Moorgate, and my heart | 122 | |
Under my feet. After the event | 123 | |
He wept. He promised 'a new start'. | 124 | |
I made no comment. What should I resent?" | 125 | |
"On Margate Sands. | 126 | |
I can connect | 127 | |
Nothing with nothing. | 128 | |
The broken fingernails of dirty hands. | 129 | |
My people humble people who expect | 130 | |
Nothing." | 131 | |
la la
| 132 | |
To Carthage then I came
| 133 | |
Burning burning burning burning | 134 | |
O Lord Thou pluckest me out | 135 | |
O Lord Thou pluckest
| 136 | |
burning
| 137 | |