II. A GAME OF CHESS
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The Chair she sat in, like a burnished throne, | -1 | |
| Glowed on the marble, where the glass | 0 | |
| Held up by standards wrought with fruited vines | 1 | |
| From which a golden Cupidon peeped out | 2 | |
| (Another hid his eyes behind his wing) | 3 | |
| Doubled the flames of sevenbranched candelabra | 4 | |
| Reflecting light upon the table as | 5 | |
| The glitter of her jewels rose to meet it, | 6 | |
| From satin cases poured in rich profusion; | 7 | |
| In vials of ivory and coloured glass | 8 | |
| Unstoppered, lurked her strange synthetic perfumes, | 9 | |
| Unguent, powdered, or liquid - troubled, confused | 10 | |
| And drowned the sense in odours; stirred by the air | 11 | |
| That freshened from the window, these ascended | 12 | |
| In fattening the prolonged candle-flames, | 13 | |
| Flung their smoke into the laquearia, | 14 | |
| Stirring the pattern on the coffered ceiling. | 15 | |
| Huge sea-wood fed with copper | 16 | |
| Burned green and orange, framed by the coloured stone, | 17 | |
| In which sad light a carved dolphin swam. | 18 | |
| Above the antique mantel was displayed | 19 | |
| As though a window gave upon the sylvan scene | 20 | |
| The change of Philomel, by the barbarous king | 21 | |
| So rudely forced; yet there the nightingale | 22 | |
| Filled all the desert with inviolable voice | 23 | |
| And still she cried, and still the world pursues, | 24 | |
| "Jug Jug" to dirty ears. | 25 | |
| And other withered stumps of time | 26 | |
| Were told upon the walls; staring forms | 27 | |
| Leaned out, leaning, hushing the room enclosed. | 28 | |
| Footsteps shuffled on the stair. | 29 | |
| Under the firelight, under the brush, her hair | 30 | |
| Spread out in fiery points | 31 | |
Glowed into words, then would be savagely still.
| 32 | |
"My nerves are bad to-night. Yes, bad. Stay with me. | 33 | |
| "Speak to me. Why do you never speak. Speak. | 34 | |
| "What are you thinking of? What thinking? What? | 35 | |
"I never know what you are thinking. Think."
| 36 | |
I think we are in rats' alley | 37 | |
Where the dead men lost their bones.
| 38 | |
"What is that noise?" | 39 | |
| The wind under the door. | 40 | |
| "What is that noise now? What is the wind doing?" | 41 | |
| Nothing again nothing. | 42 | |
| "Do | 43 | |
| "You know nothing? Do you see nothing? Do you remember | 44 | |
"Nothing?"
| 45 | |
I remember | 46 | |
| Those are pearls that were his eyes. | 47 | |
| "Are you alive, or not? Is there nothing in your head?" | 48 | |
| But | 49 | |
| O O O O that Shakespeherian Rag - | 50 | |
| It's so elegant | 51 | |
| So intelligent | 52 | |
| "What shall I do now? What shall I do?" | 53 | |
| I shall rush out as I am, and walk the street | 54 | |
| "With my hair down, so. What shall we do to-morrow? | 55 | |
| "What shall we ever do?" | 56 | |
| The hot water at ten. | 57 | |
| And if it rains, a closed car at four. | 58 | |
| And we shall play a game of chess, | 59 | |
Pressing lidless eyes and waiting for a knock upon the door.
| 60 | |
When Lil's husband got demobbed, I said - | 61 | |
| I didn't mince my words, I said to her myself, | 62 | |
| HURRY UP PLEASE ITS TIME | 63 | |
| Now Albert's coming back, make yourself a bit smart. | 64 | |
| He'll want to know what you done with that money he gave you | 65 | |
| To get yourself some teeth. He did, I was there. | 66 | |
| You have them all out, Lil, and get a nice set, | 67 | |
| He said, I swear, I can't bear to look at you. | 68 | |
| And no more can't I, I said, and think of poor Albert, | 69 | |
| He's been in the army four years, he wants a good time, | 70 | |
| And if you don't give it him, there's others will, I said. | 71 | |
| Oh is there, she said. Something o' that, I said. | 72 | |
| Then I'll know who to thank, she said, and give me a straight | 73 | |
| look. | 74 | |
| HURRY UP PLEASE ITS TIME | 75 | |
| If you don't like it you can get on with it, I said. | 76 | |
| Others can pick and choose if you can't. | 77 | |
| But if Albert makes off, it won't be for lack of telling. | 78 | |
| You ought to be ashamed, I said, to look so antique. | 79 | |
| (And her only thirty-one.) | 80 | |
| I can't help it, she said, pulling a long face, | 81 | |
| It's them pills I took, to bring it off, she said. | 82 | |
| (She's had five already, and nearly died of young George.) | 83 | |
| The chemist said it would be alright, but I've never been the | 84 | |
| same. | 85 | |
| You are a proper fool, I said. | 86 | |
| Well, if Albert won't leave you alone, there it is, I said, | 87 | |
| What you get married for if you don't want children? | 88 | |
| HURRY UP PLEASE ITS TIME | 89 | |
| Well, that Sunday Albert was home, they had a hot gammon, | 90 | |
| And they asked me in to dinner, to get the beauty of it hot - | 91 | |
| HURRY UP PLEASE ITS TIME | 92 | |
| HURRY UP PLEASE ITS TIME | 93 | |
| Goonight Bill. Goonight Lou. Goonight May. Goonight. | 94 | |
| Ta ta. Goonight. Goonight. | 95 | |
| Good night, ladies, good night, sweet ladies, good night, good | 96 | |
night.
| 97 | |