Some of my offices have had peculiar shapes: 6 feet wide and 30 feet long with a sloped ceiling (once part of an attic); 8 feet square and — if you peeked above the suspended ceiling — perhaps 50 feet high (a ventilation shaft).
I once had an office that was like that strange floor in Being John Malkovich — I had to duck to enter the door. I still have nightmares about one building that did not seem to have a single right angle; my office induced back pain, nausea, and existential dread. Working there was like being in a German Expressionist film from the 1920s. I was starring in the The Cabinet of Dr. Caligari.
I once had an office — a cubicle really — in the physical-plant building of a major university. Gigantic machines rumbled all around me. My coffee mug sometimes vibrated off my desk. I used to pretend that I was an oiler in the engine room of the Lusitania. The room was well below ground level, and, during the rainy season, the entire floor would flood, sometimes to a depth of 18 inches. There were high water marks on the cinder-block walls from previous inundations. Mold ascended the fabric sides of my cubicle until, finally, it looked and smelled like a forest floor in the Pacific Northwest. –“Thomas H. Benton” —The Worst Building on the Campus (Chronicle)
Another corner building. Designed and textured. Needs an interior. #blender3d #design #aesthetics #medievalyork #mysteryplay
What have my students learned about creative nonfiction writing? During class they are collaborating on…
Two years after the release of ChatGPT, it may not be surprising that creative work…