On my list for the next time I teach “Video Game Culture and Theory.”
The “extra life” was a fixture of early video games, a reward for skilled players that was imbued with the language of reincarnation. Players would not say they earned additional time to play, or a bonus turn, upon reaching a certain score. They were bestowed an extra life, a new chance at existence. Death is not so frivolous in “That Dragon, Cancer,” a video game about Joel Green, a terminally ill 5-year-old, and his parents, Ryan and Amy. It is a game about a single life — one that ends and then is gone forever.
The Greens, who live in Colorado, spent the past three years making the game with a small team of artists and designers. Ryan Green, who is a programmer, quit his job to work on the project. It is based on their own lives and that of Joel, who died while the game was in development. — NYT via The Bend Bulletin
Post was last modified on 9 Feb 2016 11:45 am
A little over a century ago, the printer T.J. Cobden-Sanderson took it upon himself to surreptitiously dump…
A quick Sunday visit to #fortligonier with my history-loving son.
The choreographer daughter is doing a thing.
No interior yet. Getting there. Gotta start somewhere. Low-poly background detail for a medieval theater…
This is manageable. Far better than some semesters.
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