It was six hours before opening night. Sarah Holdren, director of a Yale student production, had just entered the theater for a routine pre-performance errand when the man who runs the hall gave her an update: In the wake of the Virginia Tech shootings, a Yale administrator decided that she didn’t want any weapons used or portrayed during theatrical productions. —Elia Powers —Stage Fright (Inside Higher Ed)
Puh-leese.
Grown-ups and all but the youngest kids know that the swords on stage aren’t real. And those young kids probably won’t be able to sit through a live theater performance that isn’t tailored to them, so they would not likely be in the audience.
No interior yet. Getting there. Gotta start somewhere. Low-poly background detail for a medieval theater…
This is manageable. Far better than some semesters.
Creating textures for background buildings in a medieval theater simulation project. I can always improve…
Nothing in this stack is pressing, but they do include rough drafts of final papers,…
Here’s the underlying problem. We have an operating image of thought, an understanding of what…
Representing the Humanities at Accepted Students Day.