I’ve been making an extra effort this year to create some new worksheets designed to teach basic, stand-alone concepts in my Introduction to Literary Study class.
Here’s a new worksheet to help students write a sonnet. Below is the part they’re actually supposed to submit… after that I’ve included the text that explains the assignment. I’ve already taught the basic form of the sonnet, so this is a review, but I tried to make it stand on its own. My goal is to teach the form, rather than to encourage or reward creative expression, but I also want students to have fun.
Suggestions? Comments?
Workbook 2-2: Write a Sonnet Name ____________________________
(Bring printout to class.)This is a poem that I wrote; Eye Contact published it a few issues ago.
Your retro, old-skool little song enshrines
The unrelenting jackboot five-stress beat
Of heel-toe thumping heel-toe bumping feet
In fourteen rigid rhyming goose-step lines.
What talent’s there? I’ll never march; I swarm!
I curse your foolish rules, your chains that bind,
That dare to organize my off-beat mind;
For truly I don’t need no steenkin’ form.
Why pack and prune, revise, rework, rephrase
My unproof’d laundry list of angst or hate?
In beatless bliss I’ll blurt and bloviate
And vent my emo vices in cafés.
From boxy vises freed, such verse as mine
Shall flow like so much screw-top Wal-Mart wine.
- Scan the poem (identify the rhyme scheme and stress pattern). (Write on this page.)
- Note the “turning point” and identify the new idea. (Write on this page.)
- Identify the “main point” driven home in the final couplet. (On this page.)
- What can you conclude about the relationship between the imaginary speaker of the poem, and my own intentions as the author of the poem (and a teacher who asks students to write sonnets)? (Answer in a brief paragraph on the back.)
Part IIa: Present your own original sonnet in the grid. You may write on a printout, or edit this file.
Part IIb: Write a short paragraph (on the back) that explains how your poem demonstrates your knowledge of prosody (see Hamilton) and your ability to apply that knowledge in an original creative work. Explain any deliberate deviations from iambic pentameter.
Representing the Humanities at Accepted Students Day.
The daughter opens another show. This weekend only.
After learning of his AIDS diagnosis, artist Keith Haring created the work, "Unfinished Painting" (1989),…
Seton Hill students Emily Vohs, Elizabeth Burns, Jake Carnahan-Curcio and Carolyn Jerz in a scene…
Inspiration can come to those with the humblest heart. Caedmon the Cowherd believed he had…
View Comments
a) Yes, that last column is where the rhyme scheme is supposed to go. I'm giving them the chance to pick the Elizabethan or Petrarchan sonnet, or some variation, so I didn't fill in the letters myself.
b) Yes, that question is leading -- it's intended to re-inforce a point I made in class about the difference between the "I" of the poem and the poet's own voice. Also, this question has helped me see that most students easily see that the speaker in the poem is rebelling against the rules, but they don't all understand the point that I try to make with the comparison to screw-top Wal-Mart wine.
c) Title.. duh! I completely forgot. Good idea.
Nice! This definitely might help a student to see poetic structure in a sonnet. Despite my loathing of all things grid-like (with the exception, perhaps, of a barbecue grill), I like this notion of using a chart to organize the meter of the form as the students go through it, and if I had any advice it would be:
a) at the end of each row, why not go ahead and label the end rhyme scheme with letters the way you might do it when performing scansion on a poem (e.g., ABBA...)
b) your 3rd question about intent is a little convoluted (or is it leading?) by adding the teacher's intention on top of the writer's intention
c) are the students asked to use a title? make space for that.