Concocted 146 years ago by a German philologist, Freytag’s pyramid was long held aloft as the one-size-fits-all narrative template, despite the fact that it describes the tidy Aristotelian side of storytelling (Ben-Hur) far better than its frayed quantum fringes (Memento).
Techniques like open-ended conclusion, audience interactivity, and
nonlinear chronology “were part of the avant-garde 30 or 40 years ago,”
says UCLA film school dean Robert Rosen, “but they’re taken for granted now.”Fortunately for Western civilization, I’ve developed a new model. Allow me to introduce Brown’s Ziggurat (in 4-D!)tm. It accounts for all the time-shredding, symmetry-defying, viewer-inclusive wackiness of New Story. —Scott Brown, Wired
This is manageable. Far better than some semesters.
Creating textures for background buildings in a medieval theater simulation project. I can always improve…
Nothing in this stack is pressing, but they do include rough drafts of final papers,…
Here’s the underlying problem. We have an operating image of thought, an understanding of what…
Representing the Humanities at Accepted Students Day.
The daughter opens another show. This weekend only.