Only one school of contemporary art has retrieved an idea of geometrical harmony, reminiscent of the aesthetics of proportion, and that is abstract art. By rebelling against both subjection to nature and to everyday life, abstract art has offered us pure forms, from the geometries of Mondrian to the large monochromatic canvases of Klein, Rothko or Manzoni. But who has not had the experience, on visiting an exhibition or a museum over the past decades, of listening to visitors who – faced with an abstract work – say “But what is it meant to be?”, or come out with the inevitable “They call this art?” And so even this “neo-pythagorical” return to the aesthetics of proportion works against current sensibilities, against the ideas ordinary people have about beauty. —Umberto Eco —Notions of beauty (Guardian)
Notions of beauty
Creating textures for background buildings in a medieval theater simulation project. I can...
A.I. 'Completes' Keith Haring's Intentionally Unfinished Painting
Seton Hill students Emily Vohs, Elizabeth Burns, Jake Carnahan-Curcio and Carolyn Jerz in ...
“The Cowherd Who Became a Poet,” by James Baldwin. (Read by Dennis Jerz)
Dr. David von Schlichten honors the spectrum of motivations (not always financial) feature...
Collegewide game encourages small interactions around campus