Mr. Bernards, 34, of Edwards, Colo., was visiting the monolith on Friday night when, he said, four men arrived as if out of nowhere to dismantle the sculpture. Mr. Bernards had driven six hours for the chance to ogle the sculpture and to take dramatic photographs of it. Using upscale Lume Cube lights attached to a drone, he produced a series of glowy, moonlit pictures in which the monolith glistens…
Fascinating art history — a thoughtful close reading of a painting. Great example of multimodal journalism. The clouds are heavy and black. A grim day for fighting. In the air is the smell of damp, and mortar fire. It’s a little after 10 a.m. on Sept. 13, 1759. The battle is almost over. In the distance, the wounded French soldiers are retreating. And a young general in a red coat…
Obviously I would have preferred to see it live, but the pandemic-era video presentation — with clever graphics that indicate stage actions and pop-up text that augment the recorded performances — was subtle and touching.
