The AI authors’ writing often sounds like it was written by an alien; one Ortiz article, for instance, warns that volleyball “can be a little tricky to get into, especially without an actual ball to practice with.” According to a second person involved in the creation of the Sports Illustrated content who also asked to be kept anonymous,…
Rewatching ST:DS9 In Garak’s shop, the enigmatic proprietor tries to play matchmaker between Odo and an attractive Bajoran woman. Odo is characteristically formal and polite to her, but as a shape-shifter who is liquid in his resting state, he just isn’t interested in “these convoluted mating rituals.” He reluctantly admits she’s lovely, but has a…
The video clip shows uniforms I’ve created lately, for a personal project based on the steampunk bedtime stories I used to tell my now-adult children. I start with the standard human models that are part of the Unity Game Engine’s UMA system, and in Blender3D I shape each piece of clothing as 3D geometry, down…
Rewatching ST:DS9 In Ops, O’Brien frets to Dax about his very pregnant, very active wife’s latest outing to the Gamma Quadrant. Quark, having just returned from a visit to Ferenginar, seems unusually happy to be back, but blurts out just before the opening credits that he’s dying. While on Ferenginar, Quark was diagnosed with the…
Tribune Review
Rewatching ST:DS9 After a comic opening on the station (featuring Quark working an advertising jingle into the cups served up by the food replicators), we join Kira, Dax and a starry-eyed Bashir (“Is it my imagination or are the stars a little brighter in the Gamma Quadrant?”) on a runabout, following a distress beacon to…
I check into Musk’s X every few days, but I no longer *use* it as I once did, as a way of learning from credible experts responding to breaking news, and as a way of connecting with colleagues in my field, mostly just listening quietly while they shared their wisdom with each other. I first…
Long before sci-fi shows created their visuals with computer-generated images, sfx crews filmed detailed models against a plain. Wide-angle close-up lenses, softly glowing internal lights, and slow camera motion give the impression of great size. The large 11-foot model of the original Star Trek’s U.S.S. Enterprise is on display in the gift shop at the …