Robot Dramas: Autonomous Machines in the Limelight on Stage and in Society

A thoughtful overview of robots in culture, addressing the fear and hope that go hand-in-hand when humans reflect upon, fictionalize, and create our relationships with with mechanical workers of all stripes. Aaron Dubrow, National Science Foundation media officer, includes his perceptions of a panel on robots in theater, where I brought up the legacy of…

Editorial: Video Games and The Great Train Robbery

Through the development of crosscutting and other continuity editing techniques, many filmmakers (perhaps unwittingly) found “that the development of systematic narration and continuous action could also deliver a sense of shock, of percussive action that is broken and picked up again continually.” (Gunning, 311, 2006) The once disjointed forces, attraction and narrative, came together to…

How Humans Respond to Robots

The play that coined the word “robot,” Karel Capek’s R.U.R. (Rossum’s Universal Robots), included violent robots, compassionate robots, and herd robots (who are content to be workers until incited by the violent robot leaders). This article explores a wide range of human responses to robots. Our expectations of robots and our response to their designs…

Share a Coke with “Pepsi”

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How We Read

I feel a little nerdier than usual when I blog something related to typography, but A List Apart had a good one. Type and typography wouldn’t exist without our need to express and record information. Sure, we have other ways to do those things, like speech or imagery, but type is efficient, flexible, portable, and…

The Surprisingly Savvy Weird Al Internet Machine

When he talks about his business being threatened by YouTube parody video-makers, he’s talking about the fact that the public’s yen for parodies is being met by amateurs. Earlier this week, a young woman turned an infamous recording of a Comcast customer service call into a belty ballad. Between the release of that recording and…