I’m conflicted. This is a very well done animated documentary, creating visuals that were not part of the original press coverage of Floyd Collins, the caver trapped in Sand Cave in 1925, and the subject of the first media circus, fed by the emerging new medium of radio journalism. The animation adds sight gags and…
The full article (by Angelo Careriis) in French, but there is an English abstract, and Google Translate is just a few clicks away. By examining a mixed body composed of video games linked to the American hacker culture (Colossal Cave Adventure, Rogue, Dwarf Fortress), and some academic research that examine these objects with an experimental…
The Medium headline calls Colossal Cave Adventure “one of the first the video games,” but it’s a stretch to use “video” to describe the modality of a command line text parser game. The former Patricia Crowther was very helpful to me when I interviewed her by telephone for my DHQ article. I could have written…
In The Republic, Plato uses an extended metaphor involving prisoners who can see nothing but shadows projected on the cavern wall. They know only blurry outlines of the true objects represented by the shadows, and they pride themselves on how well they can memorize and relate to the puppet shows performed by their captors. If…
The new book from the University of Kentucky Press, Mammoth Cave Curiosities” A Guide to Rockphobia, Dating, Saber-toothed Cats and Other Subterranean Marvels, offers some new tidbits from Will Crowther about his ground-breaking 1970s computer game, “Colossal Cave Adventure.” In a subsection confidently headed “The First Computer Adventure Game,” we find this weaselly clunker: “Developed in…
Will Crowther, an RPG-er, created the first text-based adventure game for computers Colossal Cave Adventure in 1975.6 When Don Woods developed it into Adventure in 1976-1977 he added the Tolkienian elements of trolls and elves. —Helen Young, Journal of Tolkien Research Well, yes, but Crowther had already started with the Tolkenian elements of underground dwarves,…
I am in rehearsals to play Oberon in a community theatre production of A Midsummer Night’s Dream. He is a fairy king who manipulates the lives of humans who wander into his realm. I am also playing Dwarf Fortress, an insanely complex game in which the player indirectly manages a community of dwarves. I’ve been surprised by the connections I’ve observed.
Electronic Book Review just published an article I wrote with Dave Thomas, on cave space in video game ecology. Parts of this article are a companion to my 2007 Digital Humanities Quarterly article on the 1970s text computer game Colossal Cave Adventure. Crowther’s translation of real world caving experience into the digital medium provides a…
As a fan of Colossal Cave Adventure, I’m curious to know whether there’s an active volcano in this cave. Or at least a gold nugget room. Jonathan Sims catches up with me. Between us and the sunlit passage ahead stands a stalagmite that in profile resembles the paw of a dog. “The Hand of God…
The kids and I enjoy nerdy board games. (I love both of you very much, but when we play Star Trek Monopoly, Daddy is ALWAYS the captain’s chair.)
I just noticed that a few days ago, a Wikipedia user uploaded a photo to the bio for computing history legend Will Crowther. The caption reads “Will Crowther in fall of 2012 in the Shawangunk Mountains.” A bit of Google-fu leads to several photos showing Crowther is still climbing (the hobby he had long before…
Lessard pushes back in useful ways against the notion that modern computer games emerged fullly-formed from the coding experiments of Will Crowther — a notion I’ve helped to promote (though of course I’m exaggerating as I present it here). I’ll want to read through the essay again in more detail, but here is part of…
Kim asked on Twitter: “Is there a canon for digital narratives / interactive stories / hypertext literature yet? A list of accepted classics and forms?” What followed was a lot of us going “we don’t know”. And I wasn’t exactly helpful, by pointing out that those three things are (in some ways) completely different. But.…
For more than 20 years, Navy archaeologist Steve Schwartz searched for that cave. It was believed to be home to the island’s most famous inhabitant, a Native American woman who survived on the island for 18 years, abandoned and alone, and became the inspiration for “Island of the Blue Dolphins,” one of the 20th century’s…
In the early 1970s William Crowther worked for the high-tech R&D company BBN Technologies as part of a team developing the ARPAnet; a computer network predecessor to the Internet. Crowther has never shown any desire to court celebrity for his achievements. Aside from a couple of interviews from books, Where Wizards Stay Up Late and Genesis II: Creation and…
There was only one game. Appropriately for us neighborhood-explorers, for us mapmakers, it was launched by typing ADVENTURE. The game began you at a house by the woods, with a mailbox, a trail to a grate, not unlike the wandering explorations we undertook on our own in our simple neighborhood. It explicated all of this…
The most detail I’ve ever seen about Will Crowther’s other creative projects; here, in a conversation dated 1996, he discusses “different ‘adventures’”, and reveals that he wrestled with many of the same challenges that interactive fiction programmers faced through the 1980s and on to the present. I have at various times made different “adventures.” Two…
I was happy to see this review of a great film I used a few weeks ago in my “Video Game Culture and Theory” class. The first five minutes of Get Lamp alone are worth watching for those who may have tinkered around on a MUD at some point, but know little about the origins…
Caves and sandboxes are some kinds of game spaces I’ve explored in conversations (and an unpublished manuscript) with David Thomas, so I was very interested in these musings from Not Your Mama’s Gamer. In a landscape polluted by smog and litter, box stores, fast food chains, more subdivisions and ever more streets–it becomes harder and…
One of my favorite comments from last year’s communal exploration of the source code for Colossal Cave Adventure. Stephen Ramsay writes: I’m going to call it the “Code on a Grecian Urn” problem. Let me begin by calling attention to Nick Montfort’s wonderfully pithy note at the end of Week 1:”Hm, I don’t know. The…