The Surprisingly Savvy Weird Al Internet Machine

When he talks about his business being threatened by YouTube parody video-makers, he’s talking about the fact that the public’s yen for parodies is being met by amateurs. Earlier this week, a young woman turned an infamous recording of a Comcast customer service call into a belty ballad. Between the release of that recording and…

Language Log » 25 Questions for Teaching with “Word Crimes”

A little perspective is good. So is genre awareness… anybody who takes this song literally is missing the point of satire. After the apocalypse happens and society collapses, my knowledge of the difference between irony and coincidence won’t help me escape the zombie hordes. While “grammar nerds” are psyched about Weird Al’s new “Word Crimes”…

The 3 Scariest Words A Boy Can Hear (“Be a Man”)

Former NFL player and current pastor Joe Ehrmann reflects on the power coaches have over the identities of boys. There’s two kinds of coaches in America: You’re either transactional or you’re transformational. Transactional coaches basically use young people for their own identity, their own validation, their own ends. It’s always about them — the team…

The Uses of Being Wrong

Unlike that of most physical and natural scientists, the ability of social scientists to conduct experiments or rely on high-quality data is often limited. In my field, international relations, even the most robust econometric analyses often explain a pathetically small amount of the data’s statistical variance. Indeed, from my first exposure to the philosopher of…

How not to attract women to coding: Make tech pink

Just watched videos of the musicals “Thoroughly Modern Millie” and “Legally Blonde,” so cultural attitudes about women in the workforce are on my mind. Wheat had discovered what Elizabeth Losh, a digital culture scholar at UC San Diego, calls “ridiculous, pink, sparkly techno-princess land.” Pink websites and polka-dotted flyers are what happens when an entire…

Cooper Hewitt: the typeface by Chester Jenkins

“[S]ince Cooper Hewitt is a government institution, “utilizing a well-crafted, American-made product was important. And not something that’s Helvetica.” Jenkins echoes that sentiment: “The design was created for the Smithsonian, which is owned by the people of the United States, so the typeface should likewise belong to the people of the United States.” —qz.com The…