Jimmy Maher offers a provocative editorial in the latest issue of the Society for the Promotion of Adventure Games newsletter. Galatea excites admiration, interest, even a certain amount of awe, and all of it richly deserved. However, it seems to excite very little love. Nor does it seem to inspire its player to grapple with…
Steampunk is one of my guilty pleasures… I think of it more of an asthetic than a literary movement, and I own neither a pair of aviator goggles nor a wind-up pocketwatch. Nevertheless, it happens that at this moment in another window I’m rendering a 3D view of an brass-and-glass spaceship ethership that features in…
Does anybody today say — without shame — that their hobby is watching TV? Or listening to the radio? These media are so deeply entrenched in our society that we barely think of them. According to Ian Bogost, a time will come when the concept of “the gamer” is obsolete. Not because games will be…
The other day at the Westmoreland Museum of American Art, I attended a brown bag talk given by my Seton Hill colleague, Maureen Vissat, The Art of the 1940s: Styles and Influences. I had seen her present as part of a series of teaching demonstrations, so I knew her talk would be excellent. She wove…
From the L Magazine. Some are actually just unfortunate art, but the whole list was worth it for this one:In addition to the usage error, I particularly like how the highlights on the drops of blood seem to be made by a light shining *up* from the lower right. Okay, and this next one is…
You won’t find this sort of thing on the TV news shows. Stanley Fish: Milton’s poetry never lets you relax. Even when one of the famous similes wanders down what appears to be a desultory path of mythical allusions and idealized landscapes, it always returns you in the end to the moral perspective that had…
If the following line doesn’t get you reading The Steampunk Home, nothing will: I can think of two steampunk references to octopodes. Thanks for the link, Rosemary. Similar:If You Ever Find a Link to ThoughtCatalog, I'm Begging You Not to Click It Here’s a thought… nothing you can …BusinessStage Right's "The Secret Garden": Performing with…
From a collection of writings by Kurt Vonnegut. Read the full text of the essay, which is summarized (by Vonnegut) as follows: 1. Find a subject you care about2. Do not ramble, though3. Keep it simple4. Have guts to cut5. Sound like yourself6. Say what you mean7. Pity the readers Similar:Report to the bridge so…
I just saw Wall-E with the family. It’s rare for me to suggest that we all go see a movie — my wife is the cinema buff. But I had read outstanding reviews, and it is a Pixar film, so I went in with high expectations, and was satisfied. It didn’t knock my socks off;…
Great news for fans of robot history and cinema history: Last Tuesday Paula Félix-Didier travelled on a secret mission to Berlin in order to meet with three film experts and editors from ZEITmagazin. The museum director from Buenos Aires had something special in her luggage: a copy of a long version of Fritz Lang’s Metropolis,…
I’m fairly proud of myself because last week I did something I’ve been wanting to do for years… I made little tiny icons, and put them in the right place on my two main websites. Now you should see them in your browser bookmarks and tabs. Incidentally, I love what Firefox 3 does to the…
Fantastic narrated slide show on the impact of drugs on a community. Striking black and white images, with an equally powerful interface. (Brenda Ann Kenneally.) Similar:Why We Forget Most of the Books We ReadIt was pleasurable to encounter a famili…BooksToasting Shakespeare at the Bard's Birthday BashOrganized by Pittsburgh Shakespeare in t…CultureTricking the eye to see…
Lisa Spiro posts an interesting analysis: I wanted to get a quick visual sense of the two texts, so I plugged them into Wordle, a nifty word cloud generator that enables you to control variables such as layout, font and color. (Interestingly, Wordle came up with the perfect visualizations for each text at random: Pierre…
Because I’m unfamiliar with the poster paper genre, my own textual bias made me want to read all the text on the poster before I was ready to listen to the presenter’s explanation. A couple times I had to tell the eager presenter to give me a minute to take in all the information before…
Literatronica: Juan: Empower the computer to be part of the literary transaction… mathematical literature. Mathematical literature — not the syntatic approach, using mathematical language to describe a story. Not a semantic approach, using theorems to define stories. Lexicographic Hypertext — basic HTML with nodes connected via links. We navigate through the network to get from…
Chris Crawford has been working on Storytron for 16 years. The computer gaming industry was not intersted in or able to solve the problem of interactive storytelling. Left the gaming industry to solve that problem on his own. Has been explaining Storytron for 10 years, says that during that time he has “failed miserably.” About…
Dene joined us remotely from her lab in Vancouver, demonstrating multimedia works that are performed through hyperlinks triggered by a performer’s actions in a 3D space. The demonstration is intended to challenge the notions of a hyperlink as a silent component of a 2D work. First demonstration — Virtual DJ. Spinning circles of light…
Steve introduced Susan Gibb as a driving force behind the writing and digital media culture in a small town in Connecticut. (I’m really impressed by what comes from Tuxnis Community College). Susan presented us with the thinking behind the creation of a 300-node creative hypertext work in StorySpace. Susan walked the audience through the process…
Alan Bigelow discusses his art installations featuring the short-form Flash genre. In his introduction, he stated that he doesn’t think that he writes hypertext, and spoke with hope of a future in which new media authors know what terms to apply to their work. The opening screen of his American Ghosts refers to a “webyarn,”…
Steve Ersinghaus started the creative hypertext workshop by playing Changing Key: A “video hyperdrama” by Charles Deemer. In the introduction, Deemer notes that the audience in a play is passive, and conjures up the idea of a family Thanksgiving in which multiple groups interact in multiple rooms, with the audience inserted into the drama like…