Dickens is so brilliant a stylist, his vision of the world so idiosyncratic and yet so telling, that one might say that his subject is his unique rendering of his subject, in an echo of Mark Rothko’s statement, “The subject of the painting is the painting”—except of course, Dickens’s great subject was nothing so subjective or so exclusionary, but as much of the world as he could render. If Dickens’s prose fiction has “defects”—excesses of melodrama, sentimentality, contrived plots, and manufactured happy endings—these are the defects of his era, which for all his greatness Dickens had not the rebellious spirit to resist; he was at heart a crowd-pleaser, a theatrical entertainer, with no interest in subverting the conventions of the novel… —The New York Review of Books.
The Mystery of Charles Dickens by Joyce Carol Oates
Cry from a Far Planet by Tom Godwin (WAOB Audio Theatre; read by Dennis Jerz)
Bury Berry Family Members - a review of "Very Berry Dead" - 'Burgh Vivant
Very Berry Dead Makes a Big Impression at Big Storm Performance Company
The Blood and the Blame
Chilling on Forbes Avenue with a small friend.
The daughter is in “Very Berry Dead,” a new play which opens this Friday and runs for two ...