Just as comedians generally don’t laugh at their own jokes, Shakespeare doesn’t call too much attention to his own linguistic cleverness, which is one reason his work rewards close scrutiny. It’s not that he was being deliberately obscure or flowery — though some of his obsequious characters definitely exhibit such speech patterns. One line of inquiry into Shakespeare’s language explores how the brain processes sequences of images. As a playwright…
I wrote the following in 2004, when my son was 6 and my daughter was 2. The time is waning that my son will want nothing more than to play Battleship and The Magnificent Race with me all afternoon. Some day I’ll make a silly joke, and my daughter won’t giggle with glee, she will roll her eyes and say, “Dad, you’re embarrassing me.” I played the Stage Manager in…
Hum de dum. Not paying any attention to current events at all, just thinking about possibly teaching Richard III in my Shakespeare class this fall. Oh, look, Dwight Goodyear posted commentary on Agnes Heller’s book The Time is Out of Joint: Shakespeare as Philosopher of History. How interesting. You know, to those of us who care about Richard III. Stage 1: The would-be tyrant must become an actor, a dissembler, who spreads…
I loved listening to her practice the “Money, money, money, money, money” monologue in her mirror.