First time visiting the Point. Listening to Quantum’s 10 for 21 (audio adaptation of the Decameron, set on a pandemic-era walk through Pittsburgh).

My first time visiting the Point. Listening to 10 for 21 — Quantum Theatre’s audio adaptation of The Decameron, directed by John Shepard, adapted by Martin Giles, with sound design by Steve Shapiro. The voice talent is phenomenal, with ensemble moments that nicely frame the intimate and personal storytelling sessions. I live about an hour…

Quantum Theatre’s “Far Away” is an enigmatic abstraction, grounded by psychologically deep performances.

Quantum Theatre’s streaming production of “Far Away” is an enigmatic abstraction, grounded by psychologically deep performances. In an unstable landscape of shifting allegiances, just how much faith can we have in own senses, our family members, our co-workers, our own creative impulses, our government, and nature itself? Known for making theatre happen in unusual spaces,…

Jitney ( #AugustWilson #CenturyCycle, 8 of 10)

August Wilson’s Century Cycle >  Spoiler-free scene breakdown Premiered: 1982; Broadway 2017 Setting: 1977; Becker’s cab station, Pittsburgh Act I.i (morning?) Youngblood accuses “old man” Turbo of cheating in checkers; Turbo accuses Fielding of drinking his gas money; Youngblood turns down a grocery run, which Turbo takes; Youngblood gets defensive at Doub’s silent look; Shealy…

Two Trains Running ( #AugustWilson #CenturyCycle, 7 of 10)

August Wilson’s Century Cycle >  Spoiler-free scene breakdown Premiered: 1990 (Broadway 1992) Setting: 1969; Memphis’s small restaurant, Pittsburgh Act I.i Memphis (hard-working and honest) complains that Wolf (notorious numbers runner) is tying up his phone; Risa (waitress with self-scarred legs) doles out sugar at Wolf’s request; Memphis complains his “old lady” left him and wouldn’t…

Fences ( #AugustWilson #CenturyCycle, 6 of 10)

August Wilson’s Century Cycle >  Spoiler-free scene breakdown Premiered: 1985 Setting: 1957; 1965; Troy Maxon’s lived-in backyard, Pittsburgh A prose prologue contrasts the experience of European immigrants who were embraced by cities, with the opposition faced by the descendants of African slaves. I.i. (Friday evening) Troy (large man) and Bono (his “follower”) “engage in a…

The Piano Lesson ( #AugustWilson #CenturyCycle, 4 of 10)

August Wilson’s Century Cycle >  Spoiler-free scene breakdown Premiered: 1987;  Broadway & Pulitzer Prize 1990 Setting: 1930s, Doaker’s house, Pittsburgh Scene description mentions an old upright piano with legs carved in African style. I.i. (5am) Offstage Boy Willie calls, waking Doaker (severe, settled railroad cook). BW introduces Lymon, from “back home.” He asks for Bernice.…

Joe Turner’s Come and Gone (August Wilson’s Century Cycle, 2 of 10)

August Wilson’s Century Cycle >  Spoiler-free scene breakdown Premiered: 1988. Setting: The Hollys’ boarding house, Pittsburgh. 1911. 11 characters (a fairly large cast for a drama, including 2 children who would typically be double-cast; not an easy play to produce) Long stage directions before the first scene describe the children of freed slaves moving north.…

Gem of the Ocean (August Wilson’s Century Cycle, 1 of 10)

August Wilson’s Century Cycle > Spoiler-free scene breakdown. Premiere: 2003 Setting: Aunt Ester’s parlor, 1839 Wylie, Pittsburgh. 1904. Prologue (late at night) Troubled Citizen Barlow arrives, seeking Aunt Ester. Eli (handyman and “gatekeeper”) tells him to come back Tuesday. Citizen tries to push past him; they tussle, upsetting a lamp. Ester picks up Citizen’s hat…