Fans of Star Trek have thus already been introduced to the plays of William Shakespeare, and experienced intertextual analysis in action as the aforementioned Star Trek episodes directly relate to Hamlet and Henry V. The same can be said of the motion picture The Wrath of Khan, which portrays Ricardo Montalban’s villain as a futuristic Captain Ahab from Herman Melville’s Moby Dick.…
Friendly advice… If you are practicing with your new green screen backdrop, don’t wear a plaid shirt with blue-green in it. I’m not happy with the lighting… the foreground lighting is pretty good (some spare photography lamps — much better than the fluorescent ceiling lights) but I don’t like the shadows on the backdrop. I…
Rewatching Star Trek: The Next Generation after a 20-year break. Unfrozen humans from the 21st Century annoy the crew while the Enterprise investigates the destruction of several Federation outposts near the Romulan Neutral Zone. The episode begins and ends with the cryonics story, so technically it’s the A plot, but there’s little at stake. Nobody…
Rewatching Star Trek: The Next Generation after a 20-year break. Another episode that I had never seen before (so this is technically not a “rewatch”). The Enterprise traces time blips to the laboratory of a brilliant scientist on a remote research station, where a woman Picard stood up in Paris 22 years ago re-enters his…
My rewatch reflection on the Star Trek:TNG episode “Skin of Evil,” in which the crew encounters a malignant oil slick. Some good character moments with Worf and Yar, and some good solo acting from Marina Sirtis as Troi psychoanalyzes a disembodied voice. While I appreciate the Roddenberrian argument against playing along with a power-mad enemy’s sick games, dramatizing a that philosophical concept is not enough to carry a full episode. If you’re a fan the final holodeck send-off scene is worth watching but overall it’s a weak episode.
Rewatching Star Trek: The Next Generation after a 20-year break. Picard mediates a dispute over a shipment of medicine. This disjointed episode has an actiony/sciencey opening, a worthwhile medical/cultural mystery in the middle, and a morality play with a moderately Trekworthy finale. I have no memory of seeing any part of this episode. While I…
With an A-plot that comments on the Cold War arms race, a B-plot that tests LaForge’s command skills, and a C-plot that explores the Picard/Crusher dynamic, I wanted to like this episode more than I did. Yar wisely observes that it’s kind of pointless for the landing party to strategize against a system that has already wiped out all the intelligent life on a planet, yet the characters still peek through the bushes at the wobbly floating plastic menace, and leap out of the way of its space-zapper ray gun blasts, because TV.
Rewatching Star Trek: The Next Generation after a 20-year break. In “Heart of Glory,” we get our first real exploration of Worf’s backstory, as the Enterprise-D rescues some Klingons who can’t convincingly explain what they were doing on a battle-scarred freighter. It’s a good Worf story, and the guest stars are sufficiently elegiac, sympathetic, and…
Rewatching ST:TNG A character-heavy episode, full of familiar tropes that add up to little. Starfleet seems much darker than we’ve ever seen it before, in two parallel storylines that intersect only thematically. Wesley, who we know full well isn’t leaving the show, applies to Starfleet Academy, and a grumpy admiral friend of Picard brings aboard…
The concept was good, and the production values were decent (I really liked the main lab on the planet); however, it starts out as a murder mystery and spends some time developing the human suspects, only to drop them abruptly when the “microbrain” starts growing, so this episode ends up lopsided and disappointing. I did like Troi’s speech: “We see and hear you now. We didn’t know you were there. You are beautiful to us. All life is beautiful.” Yes, it’s corny enough that I couldn’t help but think of the reformed Sour Kangaroo at the end of Seussical. But it captures one of the enduring appeals of Star Trek — it lets us envision what it would be like to be part of a society where idealism and selflessness and intellectual curiosity is mainstream culture.
Rewatching ST:TNG after a 20-year break. Advanced aliens from a mythical civilization kidnap children from the Enterprise to repopulate their dying world. The premise sounds pretty schlocky, and the script is full of familiar Trek cliches, such as the utopia with a dark secret, arrogant aliens who tsk-tsk at the very weaknesses that make humans…
“A middle aged geek” puts it well: “Utter nonsense, yes, but very well-made nonsense.” The incredibly detailed miniature effects and feature film production design of Moonbase Alpha make the original Star Trek’s balsa wood & cardboard sets look like a fifth grade play. While the story of ‘unknown magnetic radiation’ causing crewmen at the base…
Rewatching ST:TNG. I was underwhelmed. The Enterprise delivers an elderly Admiral Jameson on a mission to negotiate with terrorists on a planet where he brokered a hostage release decades ago. The regular cast has very little to do because the story follows the visiting admiral, who ends up being rather unlikable. When we meet him,…
With the Enterprise in drydock for a computer refit, Riker ends up in the holodeck, fascinated by the sultry hologram he asks the computer to create so someone will admire his trombone talents.
I was in college and grad school during the original run of Star Trek: The Next Generation (1987-1994), and followed the series very closely. During the last couple seasons of Deep Space Nine (1998-99), my wife and I had our first child, I started a tenure-track job, and I fell out of the TV-watching habit.…
Rewatching Star Trek: The Next Generation after a 20-year break. The Enterprise visits a sexist planet run by women, where… well, that’s about it. There’s nothing particularly science-fictional about the plot, except that the Enterprise is tracking a space-freighter and looking for space-survivors who disappeared years ago near this space-planet. There’s nothing strategic about the…
In “Datalore,” an encounter with Data’s more human-like “brother” showcases Brent Spiner’s acting talents and the optical FX crew’s mad split-screen skillz. While I enjoyed the plot twists and character bits as they happened, as a work of science fiction this episode offers little beyond popcorn “evil twin” fare.
The opening captain’s log lampshades an unprompted, random visit to Data’s home planet. The “Data practice sneezing” scene is silly, but the character development subtly allies Data’s desire to be human with Wesley’s desire to be respected by adults. The scene also accustoms us to the idea that Picard uses Wesley to deliver in-person messages, which kinda sorta helps explain why in this episode Wesley ends up where he needs to be to witness just enough to suspect Lore, but not enough to prove anything to the dumb-as-a-fencepost adults.
Rewatching Star Trek: The Next Generation after a 20-year break. The first of (far too) many “trapped on the holodeck” episodes. Exhausted while preparing for a high-stakes diplomatic ritual, Picard takes a break in a virtual-reality simulation of a 1940s detective novel. I remembered enjoying Brent Spiner’s portrayal of Data adapting to the noir setting,…
Rewatching Star Trek: The Next Generation after a 20-year break. This low-stakes, character-driven rom-com pulled off everything it set out to do — fill out the romantic backstory between Riker and Troi, showcase Patrick Stewart’s comic timing, and set up an apparently unrelated B plot as the surprise resolution to the A plot. In her…