[G]ames is a bit more financially brutal than either theatre or poetry, which is funny, because poetry is already financially brutal. It is harder to get people to pay for games than for any other artform I work in. I could make more money for less work elsewhere. That said, in both theatre and poetry most of my money comes not from sales but from commissions and public funding: trying to make a living off sales in any small-scale artform is a mug’s game. | However, even if you’re extremely small-scale then treating your game professionally – making a presskit, doing professional publicity work – is actually worth it, and if your game is good or interesting enough it can lead to more attention for your work. I only spent 2-3 working days on publicity in total, and I’m glad I did. —Harry Giles
How We Read
Out of the Zuckersphere, (back) into the Blogosphere
First Stanford code poetry slam reveals the literary side of computer code
Woodward dismisses CNN's lawsuit against the White House; Fox sides with CNN
Introduction to The Skin of Our Teeth (optimistic, absurdist metatheater; Thornton Wilder,...