As Twinkle Twinkle is to Suzuki musicians, so is a wooden shipping crate to CGI modelers. #Blender3D #design #practice

I have certainly made more complex scenes, but this time, I modeled each board, getting the grain of the wood at least plausibly right on each face, and placing each nail realistically. Following the workflow for creating game assets, I converted the completely realistic 3D simulation with 3D boards and nails into flat images. The…

As Twinkle Twinkle is to Suzuki musicians, so is a wooden shipping crate to CGI modelers. #Blender3D #design #practice

I have certainly made more complex scenes, but this time, I modeled each board, getting the grain of the wood at least plausibly right on each face, and placing each nail realistically. Following the workflow for creating game assets, I converted the completely realistic 3D simulation with 3D boards and nails into flat images. The…

Stack of wooden desk trays with metal supports. #Blender3D. Normal map, glossy map; mahogany, walnut and beech variations.

My goal in trying to do an object each day is to familiarize myself with the workflow, so that I don’t have to keep looking at a list of instructions.

My last few #blender3D experiments with wood objects went so well I thought I’d try an object with two materials. The reflective nature of metal means I had to add a “gloss” map — I should probably have stuck with a single diffuse material. Lots of trial and error.

I realized I have turn off the “glossiness” in order to make the diffuse color maps. With four different styles of wood, with two different types of metal, the normal map, and the gloss map, I had a lot of do-overs, but I managed.

Steampunk Ex Machina

In the steampunk bedtime stories I used to tell my kids, the characters would embark on Earthbound adventures or welcome a visitor arriving via “the gondola.” Serving the same function as the transporter or shuttlecraft in Star Trek, it could conveniently break down when I needed the characters to be isolated, and it could miraculously…

Greebles make me happy.

Before CGI, filming a science-fiction story typically involved constructing a physical model of a spaceship or planetscape. In order to trick the eye in to thinking you were looking at something huge, model-makers added tiny random bits of detail, often re-purposing off-the-shelf commercial model kits or using any kind of junk they could get their…