Vinyl Chairs, Lace Tablecloth, and Stainless Steel Canisters for a Villain’s Lair #blender3D

I’m working with more complex materials, including a lace tablecloth, horrid vinyl chairs, and stainless steel details for my villain’s lair. I need some kind of shaded glass panels under the railing (which seems to be floating on a too-perfectly transparent material).  I rather like the two variations of the couch. The upholstering is a trick — those surfaces are completely flat, just like the carpet and the wood, but industry standard texturing maps simulate the way light bounces off of surfaces with more complex surfaces.

As Twinkle Twinkle is to Suzuki musicians, so is a wooden shipping crate to CGI modelers. #Blender3D #design #practice

I have certainly made more complex scenes, but this time, I modeled each board, getting the grain of the wood at least plausibly right on each face, and placing each nail realistically. Following the workflow for creating game assets, I converted the completely realistic 3D simulation with 3D boards and nails into flat images. The woodgrain and beveled edges in the video are all simulated textures. The outer cube is just 6 completely flat planes, and is only designed to be viewed from a distance. The inner cube has a simple indentation in each face in order to give enough…

As Twinkle Twinkle is to Suzuki musicians, so is a wooden shipping crate to CGI modelers. #Blender3D #design #practice

I have certainly made more complex scenes, but this time, I modeled each board, getting the grain of the wood at least plausibly right on each face, and placing each nail realistically. Following the workflow for creating game assets, I converted the completely realistic 3D simulation with 3D boards and nails into flat images. The woodgrain and beveled edges in the video are all simulated textures. The outer cube is just 6 completely flat planes, and is only designed to be viewed from a distance. The inner cube has a simple indentation in each face in order to give enough…

Stack of wooden desk trays with metal supports. #Blender3D. Normal map, glossy map; mahogany, walnut and beech variations.

My goal in trying to do an object each day is to familiarize myself with the workflow, so that I don’t have to keep looking at a list of instructions.

My last few #blender3D experiments with wood objects went so well I thought I’d try an object with two materials. The reflective nature of metal means I had to add a “gloss” map — I should probably have stuck with a single diffuse material. Lots of trial and error.

I realized I have turn off the “glossiness” in order to make the diffuse color maps. With four different styles of wood, with two different types of metal, the normal map, and the gloss map, I had a lot of do-overs, but I managed.

Steampunk Ex Machina

In the steampunk bedtime stories I used to tell my kids, the characters would embark on Earthbound adventures or welcome a visitor arriving via “the gondola.” Serving the same function as the transporter or shuttlecraft in Star Trek, it could conveniently break down when I needed the characters to be isolated, and it could miraculously start working again when I needed to wrap up the plot. Modeled in Blender3D.  

Greebles make me happy.

Before CGI, filming a science-fiction story typically involved constructing a physical model of a spaceship or planetscape. In order to trick the eye in to thinking you were looking at something huge, model-makers added tiny random bits of detail, often re-purposing off-the-shelf commercial model kits or using any kind of junk they could get their hands on. The Star Wars modelers nicknamed these non-functioning technological bits of eye candy “greebles.” This week I’ve decided simply to play with Blender 2.8. I’m not trying to do anything practical, or related to my job — I’m just trying to level up in…