I’m working with more complex materials, including a lace tablecloth, horrid vinyl chairs, and stainless steel details for my villain’s lair. I need some kind of shaded glass panels under the railing (which seems to be floating on a too-perfectly transparent material). I rather like the two variations of the couch. The upholstering is a trick — those surfaces are completely flat, just like the carpet and the wood, but industry standard texturing maps simulate the way light bounces off of surfaces with more complex surfaces.
Journalists prefer plain language.
Page Weight Matters
Digital Storytelling: an Efficient and Engaging Learning Activity
Many things in the world are awful, but my latest #Blender3D work on my #steampunk control...
Students who grew up with search engines might change STEM education forever
Always Bet on Text