The girl tried to weird me out with a video of the Latvian “blblblblbl ah ah” guy. I retaliated with Devo’s “Whip It” and Max Headroom, then finished her off with “Now is the time on Sprockets when we dance.” Similar:Why scientists should care about artMy artsy daughter loves stories about sc…ArtHeadlines: Why editors matter…
In “Datalore,” an encounter with Data’s more human-like “brother” showcases Brent Spiner’s acting talents and the optical FX crew’s mad split-screen skillz. While I enjoyed the plot twists and character bits as they happened, as a work of science fiction this episode offers little beyond popcorn “evil twin” fare.
The opening captain’s log lampshades an unprompted, random visit to Data’s home planet. The “Data practice sneezing” scene is silly, but the character development subtly allies Data’s desire to be human with Wesley’s desire to be respected by adults. The scene also accustoms us to the idea that Picard uses Wesley to deliver in-person messages, which kinda sorta helps explain why in this episode Wesley ends up where he needs to be to witness just enough to suspect Lore, but not enough to prove anything to the dumb-as-a-fencepost adults.
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My 20yo son, who plays a lot of Star Wars battle simulations, was very taken with the music and story. I had read about this game when it came out, so some plot points were spoiled for me, but I still teared up at the end. You can find it for a very reasonable price…
Rewatching Star Trek: The Next Generation after a 20-year break. The first of (far too) many “trapped on the holodeck” episodes. Exhausted while preparing for a high-stakes diplomatic ritual, Picard takes a break in a virtual-reality simulation of a 1940s detective novel. I remembered enjoying Brent Spiner’s portrayal of Data adapting to the noir setting,…
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Rewatching Star Trek: The Next Generation after a 20-year break. This low-stakes, character-driven rom-com pulled off everything it set out to do — fill out the romantic backstory between Riker and Troi, showcase Patrick Stewart’s comic timing, and set up an apparently unrelated B plot as the surprise resolution to the A plot. In her…
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A Ferengi set on revenge tricks Picard into lowering the Enterprise’s shields and unceremoniously beams him into space.
Uh, no, actually the Ferengi plan involves finding a derelict starship Picard abandoned nine years ago and slipping a beach-ball sized “thought maker” into his personal effects, so that when he stops by his old cabin and gets a headache he can’t finish packing, so his uninspected trunk is brought to his quarters on the Enterprise, where opening the lid tips over a bucket, causing a marble to flip a little man into a tub, in which Picard re-enacts the Battle of Maxia and triggers the jittery vengeful descent of a little plastic cage.
She ended up waiting out the light cycle directly in front of me. When I looked straight ahead I was looking at her profile. With an innocent expression she continued to pretend not to notice she had cut me off, but I guess guilt or curiosity got the better of her, and she glanced to her left. I was ready.
In which Wesley commits a crime on the Legalistic Planet of Blond Joggers. (Rewatching Star Trek: The Next Generation after a 20-year break.) We get right into the story by having an away team return to the bridge and briefly report on their first contact with the Edo, a peaceful people who seem to spend…
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Conflict between two species who petition for membership in the Federation turns out to be the B-plot. On its way past a mysterious optical special effect, the Enterprise picks up a strange glowing spark via the sensor array, and as such entities tend to do in Star Trek, it starts wreaking havoc. We get a lot of exterior shots of the ship, some alien character designs that would have worked better in background shots, a glimpse at a sensor relay room we’ve never seen before (though it’s pretty obviously a redress of Engineering), and some glimpses of the Crushers at home.