Rewatching Star Trek: The Next Generation after a 20-year break. The Enterprise visits a sexist planet run by women, where… well, that’s about it. There’s nothing particularly science-fictional about the plot, except that the Enterprise is tracking a space-freighter and looking for space-survivors who disappeared years ago near this space-planet. There’s nothing strategic about the…
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The girl tried to weird me out with a video of the Latvian “blblblblbl ah ah” guy. I retaliated with Devo’s “Whip It” and Max Headroom, then finished her off with “Now is the time on Sprockets when we dance.” Similar:Apple Hill Playhouse is closing, leaving theater group seeking new homeConfiguring socially distanced seating a…BusinessMuch…
In “Datalore,” an encounter with Data’s more human-like “brother” showcases Brent Spiner’s acting talents and the optical FX crew’s mad split-screen skillz. While I enjoyed the plot twists and character bits as they happened, as a work of science fiction this episode offers little beyond popcorn “evil twin” fare.
The opening captain’s log lampshades an unprompted, random visit to Data’s home planet. The “Data practice sneezing” scene is silly, but the character development subtly allies Data’s desire to be human with Wesley’s desire to be respected by adults. The scene also accustoms us to the idea that Picard uses Wesley to deliver in-person messages, which kinda sorta helps explain why in this episode Wesley ends up where he needs to be to witness just enough to suspect Lore, but not enough to prove anything to the dumb-as-a-fencepost adults.
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My 20yo son, who plays a lot of Star Wars battle simulations, was very taken with the music and story. I had read about this game when it came out, so some plot points were spoiled for me, but I still teared up at the end. You can find it for a very reasonable price…
Rewatching Star Trek: The Next Generation after a 20-year break. The first of (far too) many “trapped on the holodeck” episodes. Exhausted while preparing for a high-stakes diplomatic ritual, Picard takes a break in a virtual-reality simulation of a 1940s detective novel. I remembered enjoying Brent Spiner’s portrayal of Data adapting to the noir setting,…
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Rewatching Star Trek: The Next Generation after a 20-year break. This low-stakes, character-driven rom-com pulled off everything it set out to do — fill out the romantic backstory between Riker and Troi, showcase Patrick Stewart’s comic timing, and set up an apparently unrelated B plot as the surprise resolution to the A plot. In her…
Rewatching Star Trek: The Next Generation after a 20-year break. The powerful, unpredictable Q conjures a Napoleonic scenario from Picard’s mind and takes the rest of the bridge crew there, leaving Picard on the Enterprise. Memorable not for the fuzzy-faced toy soldiers that get way too much screen time, but for a Shakespeare quote battle…
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A Ferengi set on revenge tricks Picard into lowering the Enterprise’s shields and unceremoniously beams him into space.
Uh, no, actually the Ferengi plan involves finding a derelict starship Picard abandoned nine years ago and slipping a beach-ball sized “thought maker” into his personal effects, so that when he stops by his old cabin and gets a headache he can’t finish packing, so his uninspected trunk is brought to his quarters on the Enterprise, where opening the lid tips over a bucket, causing a marble to flip a little man into a tub, in which Picard re-enacts the Battle of Maxia and triggers the jittery vengeful descent of a little plastic cage.
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In which Wesley commits a crime on the Legalistic Planet of Blond Joggers. (Rewatching Star Trek: The Next Generation after a 20-year break.) We get right into the story by having an away team return to the bridge and briefly report on their first contact with the Edo, a peaceful people who seem to spend…
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