Ice Cream and Sharks

Scene: writing classroom.   Me: (setting up a lesson about correlation vs causation) What would you say if I told you that ice cream attracts sharks?   Student: I’d say you’re an idiot.   Class: (chortles and gasps)   Student: (looks worried)   Me: Don’t worry, this is definitely the highlight of my teaching day.…

Identity Crisis (#StarTrek #TNG Rewatch, Season 4 Episode 18) The Case of LaForge’s Disappearing Shipmates

Rewatching ST:TNG An enjoyable mystery follows LaForge as he investigates the disappearances of his former shipmates. Visiting Cmdr. Susanna Leijten shows video logs from a USS Victory away team, noting that members of that landing party from 5 years ago— which included herself and LaForge— are disappearing. One has stolen a shuttlecraft and is on…

Karate, Wonton, Chow Fun: The end of ‘chop suey’ fonts

Close your eyes and imagine the font you’d use to depict the word “Chinese.” There’s a good chance you pictured letters made from the swingy, wedge-shaped strokes you’ve seen on restaurant signs, menus, take-away boxes and kung-fu movie posters. | Variations on the font are commercially distributed as Wonton, Peking, Buddha, Ginko, Jing Jing, Kanban, Shanghai,…

How to Reduce Racial Bias in Grading (Use Objective Rubrics)

To gauge the potential impact of a standardized rubric on grading bias, I conducted an experiment comparing how teachers graded two identical second-grade writing samples: one presented as the work of a Black student, and one as the work of a white student.

My experiment found that teachers gave the white student better marks across the board—with one exception. When teachers used a grading rubric with specific criteria, racial bias all but disappeared. When teachers evaluated student writing using a general grade-level scale, they were 4.7 percentage points more likely to consider the white child’s writing at or above grade level compared to the identical writing from a Black child. However, when teachers used a grading rubric with specific criteria, the grades were essentially the same.

First time visiting the Point. Listening to Quantum’s 10 for 21 (audio adaptation of the Decameron, set on a pandemic-era walk through Pittsburgh).

My first time visiting the Point. Listening to 10 for 21 — Quantum Theatre’s audio adaptation of The Decameron, directed by John Shepard, adapted by Martin Giles, with sound design by Steve Shapiro. The voice talent is phenomenal, with ensemble moments that nicely frame the intimate and personal storytelling sessions. I live about an hour…

Dennis G. Jerz | Associate Professor of English -- New Media Journalism, Seton Hill University | jerz.setonhill.edu Logo

In March, 2001, I was blogging about “All Your Base…”, digital history, 3D printers, and missing class

In March 2001, I was blogging about All Your Base Are Belong To Us (early meme) “Remembrance of Things Past” (reflection on the digital legacy we are creating with our personal data) (Simson Garfinkel) A new generation of three-dimensional printers (“Fax It Up, Scotty” I Missed Class… Did Anything Important Happen? (From a FAQ page I…

Bottled Authors: the predigital dream of the audiobook

There was no way to preserve sounds before the nineteenth century. Speeches, songs, and soliloquies all vanished moments after leaving the lips. That situation changed in 1877, when Thomas Edison began working on a machine that could mechanically reproduce the human voice. Edison’s team successfully assembled a device on which Edison recorded “Mary Had a Little Lamb,” a nursery rhyme that would become the first words ever spoken by the phonograph.2 Depending on how you define the term, Edison’s inaugural recording of verse might be considered the world’s first audiobook.. –Matthew Rubery, Cabinet Magazine