I used to print a lot. I have enough tote bags. I found more stuff for my box of once-loved tools. It felt so good throwing away all the papers having to do with that one thing. If spiders had to crawl into one box and die, I can forgive them for choosing that other…
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While cleaning out my desk at home I added to the big box of “tools I used to use all the time and now hang onto them for sentimental reasons.” The brass lantern is a memento I keep in my office, not a tool I used to use all the time; nevertheless, I thought it…
During a February press conference in London, where Murray was promoting “The Monuments Men,” he said: “I thought, ‘Well there’s a girl who doesn’t have a whole lot of prospects, but the sun’s coming up anyway and she’s got another chance at it.’ So I think that gave me some sort of feeling that I too am…
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I made three movies with John Hughes; when they were released, they made enough of a cultural impact to land me on the cover of Time magazine and to get Hughes hailed as a genius. His critical reputation has only grown since he died, in 2009, at the age of fifty-nine. Hughes’s films play constantly on television and are even taught in schools. There is still so much that I love in them, but lately I have felt the need to examine the role that these movies have played in our cultural life: where they came from, and what they might mean now. When my daughter proposed watching “The Breakfast Club” together, I had hesitated, not knowing how she would react: if she would understand the film or if she would even like it. I worried that she would find aspects of it troubling, but I hadn’t anticipated that it would ultimately be most troubling to me. -Molly Ringwald, New Yorker