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Similar:I went down fighting.PersonalCome see Carolyn and her talented castmates in The Fantasticks (Theatre Factory, Trafford …PersonalNext up for the girl: Cherry in "The Outsiders" (March 6-15)BooksFanciful Fun in Theatre Factory’s “The Fantasticks”A great review from Pittsburgh in the Ro…CultureMy son just handed me my serving of noodles in the butter substitute container. Recycling.AmusingEaster collage…
While cleaning out my desk at home I added to the big box of “tools I used to use all the time and now hang onto them for sentimental reasons.” The brass lantern is a memento I keep in my office, not a tool I used to use all the time; nevertheless, I thought it…
During a February press conference in London, where Murray was promoting “The Monuments Men,” he said: “I thought, ‘Well there’s a girl who doesn’t have a whole lot of prospects, but the sun’s coming up anyway and she’s got another chance at it.’ So I think that gave me some sort of feeling that I too am…
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The paucity of reporters has triggered an invisible power shift toward elected officials. A Pew Research Center study of Baltimore showed an increase in local stories based on press releases from elected officials. The trends in journalism exacerbate the divide between the coasts and the rest of the country. In 2014, almost 1 out of 5 U.S. reporters…
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“I bought a Kindle. I didn’t immediately go home and burn all my other books. I didn’t stop buying paper books. I read both and no one came knocking at my door. It’s a boring story, I know. I’m thinking of adding in a talking pig and a plot to destroy Lady Elaine from Mr.…
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Jane Eyre is not a two-person show, and the smallish cast must take on double duty at least, filling a wide variety of roles in this production. Besides the previously mentioned [Paige] Borak, multipurpose players Jill Keating and Carolyn Jerz must be singled out- Keating takes on three different variations of the “matronly, unpleasant Victorian lady”…
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Rereading “Writing to Learn,” William Zinsser’s 1988 book about helping students overcome the fear of writing. That’s how I remember the book, but it’s also about hacking the act of teaching so that we don’t inadvertently convey the notion that students who make mistakes during the writing are doing something wrong. I spend a lot…
Just in case someone out there could use it, here’s a powerful comic that emphasizes the power of sympathy (written by J. Michael Straczynski, creator of my second favorite TV show). No sunshine and rainbows, no victim-blaming, no finger-pointing — just humane compassion. (Be kind, for everyone you meet is fighting a hard battle.) Superman on…
Students have already done a 400-word speech, a 400-word manuscript, and a 400-word typescript. I asked them to make multiple copies of their books. They wrote, cut, pasted, photocopied, folded, and bound. Our classroom today smelled cheerfully of glue. Up next: A “Futuretext” (whatever that means). Similar:Once again, The Onion gets it right: Clinton Not…
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I made three movies with John Hughes; when they were released, they made enough of a cultural impact to land me on the cover of Time magazine and to get Hughes hailed as a genius. His critical reputation has only grown since he died, in 2009, at the age of fifty-nine. Hughes’s films play constantly on television and are even taught in schools. There is still so much that I love in them, but lately I have felt the need to examine the role that these movies have played in our cultural life: where they came from, and what they might mean now. When my daughter proposed watching “The Breakfast Club” together, I had hesitated, not knowing how she would react: if she would understand the film or if she would even like it. I worried that she would find aspects of it troubling, but I hadn’t anticipated that it would ultimately be most troubling to me. -Molly Ringwald, New Yorker
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