Modular low-poly medieval buildings. Ground-level storefronts have more detail than the upper storey windows and interiors. #blender3d #medievalyork #mysteryplay #gettingthere

Modular low-poly medieval buildings. Ground-level storefronts have more detail than the upper storey windows and interiors. #blender3d #medievalyork #mysteryplay #gettingthere My second try is definitely better than my first from a few weeks ago.   I’ve told myself at this stage, no props! No barrels or crates or hay bales, wall sconces, procedurally-generated random street…

A crushing backlash to Apple’s new iPad ad

Have you seen Apple’s “Crush” ad? It features a huge huge hydraulic press crushing musical instruments, art supplies, google-eyed toys, and other beloved artifacts of imagination and creativity. I remember seeing a video years ago that showed how a smartphone replaced a desktop full of tools like a calculator, notepad, rolodex, and so forth. But…

Remnants of a Legendary Typeface Rescued From the River Thames

A little over a century ago, the printer T.J. Cobden-Sanderson took it upon himself to surreptitiously dump every piece of this carefully honed metal letterpress type into the river. It was an act of retribution against his business partner, Emery Walker, whom he believed was attempting to swindle him. With its extra-wide capital letters, diamond shaped punctuation and…

Geometric shapes, with several embedded figures that could be dancing or raging, occupy the upper left corner of a mostly blank canvas, with streaks that suggest the artist's own interrupted life.

A.I. ‘Completes’ Keith Haring’s Intentionally Unfinished Painting

After learning of his AIDS diagnosis, artist Keith Haring created the work, “Unfinished Painting” (1989), which is mostly a blank canvas, with streaks that evoke his own interrupted, incomplete life. Someone who thought it was “so sad” that the painting was unfinished used AI to “complete what he couldn’t finish.” Needless to say, the bot…

Quantity leads to quality – Austin Kleon

Anecdote: [A] ceramics teacher announced on opening day that he was dividing the class into two groups. All those on the left side of the studio, he said, would be graded solely on the quantity of work they produced, all those on the right solely on its quality. His procedure was simple: on the final day of class he would bring in his bathroom scales and weigh the work of the “quantity” group: fifty pound of pots rated an “A”, forty pounds a “B”, and so on. Those being graded on “quality”, however, needed to produce only one pot — albeit a perfect one — to get an “A”. Well, came grading time and a curious fact emerged: the works of highest quality were all produced by the group being graded for quantity. It seems that while the “quantity” group was busily churning out piles of work – and learning from their mistakes — the “quality” group had sat theorizing about perfection, and in the end had little more to show for their efforts than grandiose theories and a pile of dead clay.

Princess of Wales photo furore underlines sensitivity around image doctoring

Catherine’s attempts to adjust a family photo, amid frenzied social media speculation about her wellbeing, have run straight into widespread concerns about trust in images, text and audio in a year when half the world is going to the polls. “This photo is a prime example of why 2024 is a crucial year for spotting –…