I call what I’m doing “digital humanities” when I shift from treating technologies as objects of inquiry (e.g., a cultural history of magnetic recording) to actually expressing my work through them (e.g., using a platform like Scalar). In this regard, my work is significantly influenced by scholars such as Cheryl Ball, Tara McPherson, and Virginia Kuhn, each of whom is actively involved in “multimodal scholarly communication” (or blending multiple media, epistemologies, and forms of perception in order to enact a persuasive argument). I would also say each of them makes things, and—depending on the day and situation—I say the same of myself, too. —Making Things in the Digital Humanities.
Similar:
How to Disagree Academically: Using Graham's "Disagreement Hierarchy" to organize a colleg...
A.I. 'Completes' Keith Haring's Intentionally Unfinished Painting
Seton Hill students Emily Vohs, Elizabeth Burns, Jake Carnahan-Curcio and Carolyn Jerz in ...
“The Cowherd Who Became a Poet,” by James Baldwin. (Read by Dennis Jerz)
Dr. David von Schlichten honors the spectrum of motivations (not always financial) feature...
Journalist flexes in story about Trump Media accountant who has spelled his own name 14 di...